(object) array( 'id' => '1135291', 'url' => 'ZT/flair_bartending', 'image' => '', 'title' => '花式調酒', 'tags' => array ( 0 => '花式調酒', 1 => 'Bars & nightclubs', 2 => 'Bar terms', 3 => '', ), 'term' => '花式調酒', 'source_id' => 889036, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Bars & nightclubs', ), 'category' => array ( 0 => 'Bar terms', ), 'lastedit' => '20110422144619', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A practice of bartenders for entertaining guests, clientele or audiences with the manipulation of bar tools (e. G. Cocktail shakers) and liquor bottles in tricky, dazzling ways. Used occasionally in cocktail bars, the action requires skills commonly associated with jugglers.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602441915990019, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'flair bartending', 'Definition' => 'A practice of bartenders for entertaining guests, clientele or audiences with the manipulation of bar tools (e.g. Cocktail shakers) and liquor bottles in tricky, dazzling ways. Used occasionally in cocktail bars, the action requires skills commonly associated with jugglers.', 'Domain' => 'Documentation', 'Industry' => 'Bars & nightclubs', 'Part of Speech' => 'noun', 'Product Category' => 'Bar terms', 'Usage Status' => 'New', 'Creation User' => 'cutecee12', 'Creation Date' => '2011/3/17', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'flair_bartending', )

(object) array( 'id' => '1043169', 'url' => 'ZT/constructivism_₃', 'image' => '', 'title' => '構成主義', 'tags' => array ( 0 => '構成主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '構成主義', 'source_id' => 770953, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110412232503', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '特別是簡樸分支，成立由 Vladimir Tatlin 和俄羅斯亞歷山大 Rodchenko 約 1915年的抽象藝術。Constructivists 認為藝術應直接反映出現代工業世界。Tatlin 最重要的被受到了畢卡索的立體主義建築 (施工 1914) 他于 1913 年在巴黎的畢卡索的工作室看到的。這些都是三維仍然生活廢舊材料製成的。Tatlin 開始做他自己，但他們是完全抽象的和做的工業材料。到 1921 年跟隨 Tatlin 的想法的俄羅斯演出者被自稱為 Constructivists 和 1923 年宣言發表在他們雜誌的左鍵： \' 材料形成的物件是用來替換其審美相結合。該物件是被視為一個整體，因此將但只是訂單產品的工業、 飛機和汽車等沒有明顯的 \'風格\'。建構主義理論是一個純粹的技術掌握和組織材料。建構主義在 1920 年代被壓制在俄羅斯，但被帶到西部由 Naum Gabo 和他的弟弟安東莞 · 佩夫斯內和一直是現代雕塑的主要影響。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602019603054597, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'constructivism', 'Company' => 'Tate', 'Definition' => 'Particularly austere branch of abstract art founded by Vladimir Tatlin and Alexander Rodchenko in Russia around 1915. The constructivists believed art should directly reflect the modern industrial world. Tatlin was crucially influenced by Picasso\'s Cubist constructions (Construction 1914) which he saw in Picasso\'s studio in Paris in 1913. These were three-dimensional still lifes made of scrap materials. Tatlin began to make his own but they were completely abstract and made of industrial materials. By 1921 Russian artists who followed Tatlin\'s ideas were calling themselves Constructivists and in 1923 a manifesto was published in their magazine Lef: \'The material formation of the object is to be substituted for its aesthetic combination. The object is to be treated as a whole and thus will be of no discernible \'style\' but simply a product of an industrial order like a car, an aeroplane and such like. Constructivism is a purely technical mastery and organisation of materials. \' Constructivism was suppressed in Russia in the 1920s but was brought to the West by Naum Gabo and his brother Antoine Pevsner and has been a major influence on modern sculpture.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'constructivism_₃', )

(object) array( 'id' => '992743', 'url' => 'ZT/realism_₅', 'image' => '', 'title' => '現實主義', 'tags' => array ( 0 => '現實主義', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '現實主義', 'source_id' => 744561, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110407213842', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '(與資本的 \' r\') 是指 19 世紀中葉的藝術作品，故意代表悲慘、 甚至醜陋的科目，通常為政治原因。第一次使用一詞，來描述作品的法國畫家古斯塔夫 · 庫爾。現實主義定義本身反對浪漫主義與關聯的理想主義。它被區別從畫的例如，貝拉斯克斯、 穆裡略和卡拉瓦喬用農民和城市貧民的成員作為模型。現實主義與小寫 \'r\' 可能與 \'抽象\' 藝術中形成對比。它是有用來區分現實主義從欲望要重現圖像中見過的東西的精確副本： 這種表示形式通常所謂的自然主義。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601788260974595, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'realism', 'Definition' => '(with a capital ‘r’) refers to mid-nineteenth century art works that deliberately represented wretched and even ugly subjects, usually for a political reason. The term was first used to describe works of the french painter gustave courbet. Realism defined itself against the idealism associated with romanticism. It is distinguished from the paintings of, for example, velasquez, murillo, and caravaggio who used farmers and the members of the urban poor as models. Realism with a lower case ‘r’ may be contrasted with the ‘abstract’ in art. It is useful to distinguish realism from the desire to reproduce in an image an exact replica of something seen: such representation is commonly termed ‘naturalism’.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'realism_₅', )

(object) array( 'id' => '1137563', 'url' => 'ZT/coolers', 'image' => '', 'title' => '冰涼酒', 'tags' => array ( 0 => '冰涼酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '冰涼酒', 'source_id' => 103709, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110422213514', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '與不同類型的酒、 調味品、 所作的高個子裂冰、 碳酸的飲料、 水果皮。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602451229442049, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'coolers', 'Definition' => 'A tall drink made with different types of liquor, flavoring, cracked ice, carbonated beverages and fruit rinds.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'coolers', )

(object) array( 'id' => '1051714', 'url' => 'ZT/format_₇', 'image' => '', 'title' => '格式', 'tags' => array ( 0 => '格式', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '格式', 'source_id' => 771060, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413182302', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '傳統上使用格式來描述的形狀或比例的支援，例如在畫布的一幅畫或救濟等其他基本持平的藝術作品。這兩種最常見的傳統格式為繪畫是通常稱為橫向格式和稱為肖像的直立矩形的水準矩形。另一種傳統，但不太常見的格式是圓一個已知 tondo 作為。有時使用方形格式，值得注意的是，例如由 JMW 特納和在二十世紀廣告萊因哈特。皮特 · 蒙德里安的抽象畫家偶爾地使用的一個角落裡的鑽石吊方形帆布。從 1960 年代更自由的方法來設置格式成為了明顯存在於一些的弗蘭克斯特拉和埃爾斯沃思凱利等演出者的作品和畫布的形狀成為了組成的工作的重要組成部分。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602061958184961, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'format', 'Company' => 'Tate', 'Definition' => 'Format is traditionally used to describe the shape or proportions of the support, for example the canvas, of a painting or other essentially flat work of art such as a relief. The two commonest traditional formats for paintings are the horizontal rectangle often referred to as landscape format and the upright rectangle known as portrait. Another traditional but less common format is the circular one known as the tondo. Square formats have sometimes been used, notably for example by JMW Turner and in the twentieth century Ad Reinhardt. The abstract painter Piet Mondrian occasionally used a square canvas hung by one corner as a diamond. From the 1960s on a much freer approach to format became evident in some of the work of artists such as Frank Stella and Ellsworth Kelly and the shape of the canvas became an important element in the composition of the work.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'format_₇', )

(object) array( 'id' => '1001849', 'url' => 'ZT/passage_₃', 'image' => '', 'title' => '段落', 'tags' => array ( 0 => '段落', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '段落', 'source_id' => 744601, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408173058', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '在視覺藝術、 線段或明確界定但並非孤立的更大的工作領域。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601830192480258, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'passage', 'Definition' => 'In visual art, a segment or well-defined but not isolated area of a larger work.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'passage_₃', )

(object) array( 'id' => '1003922', 'url' => 'ZT/master_₁₁', 'image' => '', 'title' => '大師', 'tags' => array ( 0 => '大師', 1 => 'Legal services', 2 => 'Family law', 3 => '', ), 'term' => '大師', 'source_id' => 744645, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Legal services', ), 'category' => array ( 0 => 'Family law', ), 'lastedit' => '20110408202024', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A specially qualified person who is appointed as a judicial officer to take evidence and make a recommendation to the judge.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601838669168640, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'master', 'Definition' => 'A specially qualified person who is appointed as a judicial officer to take evidence and make a recommendation to the judge.', 'Domain' => 'Documentation', 'Industry' => 'Legal services', 'Part of Speech' => 'noun', 'Product Category' => 'Family law', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'master_₁₁', )

(object) array( 'id' => '1067043', 'url' => 'ZT/mixed_media_₃', 'image' => '', 'title' => '綜合媒材', 'tags' => array ( 0 => '綜合媒材', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '綜合媒材', 'source_id' => 771134, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415170044', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '一詞用於描述作品組成不同的媒體。使用混合媒體開始左右 1912 年與立體貼畫和巴勃羅畢卡索和喬治 · 勃拉的建築，並作為演出者開發日益開放的態度，到藝術的媒體已成為普遍。基本上是藝術可以作出的任何人或事物的任意組合。（請參見組合 ；安裝 ；YBAs。)', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602136215191554, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'mixed media', 'Company' => 'Tate', 'Definition' => 'A term used to describe works composed of different media. The use of mixed media began around 1912 with the Cubist collages and constructions of Pablo Picasso and Georges Braque and has become widespread as artists developed increasingly open attitudes to the media of art. Essentially art can be made of anything or any combination of things. (See Assemblage; Installation; YBAs. )', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'mixed_media_₃', )

(object) array( 'id' => '1069543', 'url' => 'ZT/public_art', 'image' => '', 'title' => '公共藝術', 'tags' => array ( 0 => '公共藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '公共藝術', 'source_id' => 771261, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415224527', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '是在公眾領域，不論是否它位於公共或私人財產或是否它已用公共或私人的錢購買的圖稿。通常，但不是總是，藝術已委託專門為它位於該網站。紀念碑、 紀念館和公民雕像和雕塑的最既定的形式的公共藝術，但公共藝術也可以只是曇花一現，表演、 舞蹈、 戲劇、 詩歌、 塗鴉、 海報和安裝的形式。公共藝術往往可以用作一種政治工具，這樣的宣傳海報和蘇聯或由在北愛爾蘭阿爾斯特工會繪壁畫的雕像。公共藝術也可以是一種公民抗議，在 1980 年代在紐約地鐵邊噴的塗鴉。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602147232579585, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'public art', 'Company' => 'Tate', 'Definition' => 'Artwork that is in the public realm, regardless of whether it is situated on public or private property or whether it has been purchased with public or private money. Usually, but not always, the art has been commissioned specifically for the site in which it is situated. Monuments, memorials and civic statues and sculptures are the most established forms of public art, but public art can also be transitory, in the form of performances, dance, theatre, poetry, graffiti, posters and installations. Public art can often be used as a political tool, like the propaganda posters and statues of the Soviet Union or the murals painted by the Ulster Unionists in Northern Ireland. Public art can also be a form of civic protest, as in the graffiti sprayed on the side of the New York subway in the 1980s.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'public_art', )

(object) array( 'id' => '1037986', 'url' => 'ZT/entablature_₂', 'image' => '', 'title' => '柱頂', 'tags' => array ( 0 => '柱頂', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '柱頂', 'source_id' => 744731, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412140008', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '一個以上的列，其中包括門窗套線、 楣和簷的古典建築的那部分。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601993085616132, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'entablature', 'Definition' => 'That portion of a classical building above the columns, including the architrave, frieze and cornice.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'entablature_₂', )