(object) array( 'id' => '1130742', 'url' => 'ZT/agency_₇', 'image' => '', 'title' => '建築師事務所', 'tags' => array ( 0 => '建築師事務所', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '建築師事務所', 'source_id' => 688091, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421204003', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '提供了一套服務體系結構中的商業機構。它 oftens 收集幾個建築師。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602422123069444, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'agency', 'Definition' => 'Commercial organisation that provides a set of services in architecture. It oftens gathers several architects.', 'Part of Speech' => 'noun', 'Usage Status' => 'Approved', 'Synonym' => 'studio; workshop_₀', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Domain' => 'Documentation', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/1', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'agency_₇', )

(object) array( 'id' => '1092948', 'url' => 'ZT/street_art', 'image' => '', 'title' => '街頭藝術', 'tags' => array ( 0 => '街頭藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '街頭藝術', 'source_id' => 771311, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110418201636', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '街頭藝術是體裁相關的塗鴉寫作，但單獨和與不同的規則和傳統。其中現代塗鴉圍繞著 \'標籤\'，基於文本的主題，街藝術是更多打開並經常與有關的圖形設計。沒有任何規則的街頭藝術，所以有什麼，但是，一些常見的材料和技術包括飛-過帳 （也稱為小麥-粘貼），汽水、 貼紙、 手工繪製和投影的視頻。街頭演出者將經常工作在演播室、 舉行畫廊展覽或其他創造性領域的工作： 他們不是反藝術，他們只是享受自由的工作在公眾無需擔心其他人怎麼想。許多知名的演出者開始其職業生涯，我們現在會考慮街藝術的方式工作，例如，戈登 · 馬塔-克拉克、 珍妮霍爾茨和芭芭拉 · 克魯格。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602257464131586, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'street art', 'Company' => 'Tate', 'Definition' => 'Street art is genre related to graffiti writing, but separate and with different rules and traditions. Where modern-day graffiti revolves around \'tagging\' and text-based subject matter, Street art is far more open and is often related to graphic design. There are no rules in Street art, so anything goes, however, some common materials and techniques include fly-posting (also known as wheat-pasting), stencilling, stickers, freehand drawing and projecting videos. Street artists will often work in studios, hold gallery exhibitions or work in other creative areas: they are not anti-art, they simply enjoy the freedom of working in public without having to worry about what other people think. Many well-known artists started their careers working in a way that we would now consider to be Street art, for example, Gordon Matta-Clark, Jenny Holzer and Barbara Kruger.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'street_art', )

(object) array( 'id' => '1134995', 'url' => 'ZT/agency_₈', 'image' => '', 'title' => '事務所', 'tags' => array ( 0 => '事務所', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '事務所', 'source_id' => 696254, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110422140607', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '提供了一套服務體系結構中的商業機構。它 oftens 收集幾個建築師。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602438754533377, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'agency', 'Definition' => 'Commercial organisation that provides a set of services in architecture. It oftens gathers several architects.', 'Domain' => 'Documentation', 'Industry' => 'Architecture', 'Part of Speech' => 'noun', 'Product Category' => 'Architecture contemporaine', 'Usage Status' => 'New', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/3', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'agency_₈', )

(object) array( 'id' => '1140989', 'url' => 'ZT/gibson', 'image' => '', 'title' => '吉布森雞尾酒', 'tags' => array ( 0 => '吉布森雞尾酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '吉布森雞尾酒', 'source_id' => 103728, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110423214005', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '而不是橄欖的雞尾酒洋蔥配上一杯馬提尼酒。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602467188768773, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'gibson', 'Definition' => 'A martini that is garnished with cocktail onions instead of olives.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'gibson', )

(object) array( 'id' => '1069451', 'url' => 'ZT/papier_collé', 'image' => '', 'title' => '紙拼貼', 'tags' => array ( 0 => '紙拼貼', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '紙拼貼', 'source_id' => 771188, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415215613', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '紙糊 collé (粘貼紙) 是一個具體形式，是比繪畫更接近繪圖的拼貼畫。立體派畫家喬治 · 勃拉首次使用它時他已經被粘貼到白色紙上的仿製木紋紙上畫。布拉克和巴勃羅畢卡索提出了若干的證件 collés 在 1912 年最後三個月和早期 1913 年，在與畢卡索代青睞的布拉克與從 Le 日報頁在日常生活中的現實引入圖片的嘗試的木紋紙。當他于 1912 年的吉他畢卡索也成三維組合開發紙糊 collé 的想法。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602146915909632, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'papier collé', 'Company' => 'Tate', 'Definition' => 'Papier collé (pasted paper) is a specific form of collage that is closer to drawing than painting. The Cubist painter Georges Braque first used it when he drew on imitation wood-grain paper that had been pasted onto white paper. Both Braque and Pablo Picasso made a number of papiers collés in the last three months of 1912 and in early 1913, with Picasso substituting the wood-grain paper favoured by Braque with pages from the newspaper Le Journal in an attempt to introduce the reality of everyday life into the pictures. Picasso also developed the idea of the papier collé into a three-dimensional assemblage when he made Guitar in 1912.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'papier_collé', )

(object) array( 'id' => '1069540', 'url' => 'ZT/proportion_₂', 'image' => '', 'title' => '比例', 'tags' => array ( 0 => '比例', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '比例', 'source_id' => 771258, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415224521', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '比例是一部分的一個整體的其他部分的關係。在藝術中它通常意味著尋找一個數學公式為完美人體演出者最關心的事情。在文藝復興的時候，達 · 芬奇和 Albrecht Dürer 試圖找到一個公式，將使該機構能確切地刻在一個正方形或圓。他們的系統似乎是第一次使高度的伸出雙臂，整個寬度相同，然後將添加到高度這樣的總高度是等於八個頭。文藝復興研究成比例由傷寒論的體系結構，過維特魯威古羅馬作家啟發。完美比例較一般公式是黃金分割或中庸。這被定義為劃分，因此更小的部分是到更大的部分，更大的部分是對整個一條線。它在工作約 8:13 或稍微超過一個三分之一至三分之二。中的一種方式或另一個黃金分割可以在大多數的藝術作品中檢測到。它如此命名，是因為它在考慮有一些特殊的審美美德本身。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602147231531009, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'proportion', 'Company' => 'Tate', 'Definition' => 'Proportion is the relationship of one part of a whole to other parts. In art it has usually meant a preoccupation of artists with finding a mathematical formula for the perfect human body. At the time of the Renaissance, Leonardo da Vinci and Albrecht Dürer attempted to find a formula that would enable the body to be exactly inscribed in a square or a circle. Their system seems to have been to first make the height the same as the full width of the outstretched arms, and then to add to the height so that the total height was equal to eight heads. Renaissance researches into proportion were inspired by the ancient Roman writer of a treatise on architecture, Vitruvius. A more general formula for perfect proportion is the Golden Section or Golden Mean. This is defined as a line divided so that the smaller part is to the larger part as the larger part is to the whole. It works out at roughly 8:13 or a bit over one third to two thirds. In one way or another the Golden Section can be detected in most works of art. It so named because it was considered to have some special aesthetic virtue in itself.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'proportion_₂', )

(object) array( 'id' => '1037445', 'url' => 'ZT/finish_₁₂', 'image' => '', 'title' => '完成', 'tags' => array ( 0 => '完成', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '完成', 'source_id' => 744716, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412125746', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '在繪畫或雕塑的程度，已擬訂一個表面，從而在物質方面，表面品質。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601990778748931, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'finish', 'Definition' => 'In painting or sculpture, the degree to which a surface has been worked, and hence the quality of that surface in material terms.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'finish_₁₂', )

(object) array( 'id' => '1047635', 'url' => 'ZT/biennial_₃', 'image' => '', 'title' => '雙年展', 'tags' => array ( 0 => '雙年展', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '雙年展', 'source_id' => 770991, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413130041', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'In the art context biennial has come to mean a large international exhibition held every two years. The first was the Venice Biennale in 1895, which was situated in the Giardini, a public park, and now houses thirty permanent national pavilions and many smaller temporary structures. The early years were dominated by European art, but the exhibition now includes contributions from countries in South America, Africa, Asia and the Middle East. The late twentieth century saw a dramatic increase in biennials and by 2007 there were some fifty across the world, including the Beijing Biennial, the Liverpool Biennial, the Prague Biennale, the São Paulo Bienal and the Sharjah Biennial in The Gulf. This explosion of large-scale international art exhibitions mirrors the financial boom in international art buying.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602043013562368, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'biennial', 'Company' => 'Tate', 'Definition' => 'In the art context biennial has come to mean a large international exhibition held every two years. The first was the Venice Biennale in 1895, which was situated in the Giardini, a public park, and now houses thirty permanent national pavilions and many smaller temporary structures. The early years were dominated by European art, but the exhibition now includes contributions from countries in South America, Africa, Asia and the Middle East. The late twentieth century saw a dramatic increase in biennials and by 2007 there were some fifty across the world, including the Beijing Biennial, the Liverpool Biennial, the Prague Biennale, the São Paulo Bienal and the Sharjah Biennial in The Gulf. This explosion of large-scale international art exhibitions mirrors the financial boom in international art buying.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'biennial_₃', )

(object) array( 'id' => '1130519', 'url' => 'ZT/slip_₁₂', 'image' => '', 'title' => '懸濁液', 'tags' => array ( 0 => '懸濁液', 1 => 'Arts & crafts', 2 => 'Ceramics', 3 => '', ), 'term' => '懸濁液', 'source_id' => 367745, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Arts & crafts', ), 'category' => array ( 0 => 'Ceramics', ), 'lastedit' => '20110421183513', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => ' Suspension of body or glaze in water.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602421292597250, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Definition' => 'Clay mixed with water with a mayonnaise consistency. Used in casting and decoration.', 'Part of Speech' => 'noun', 'Industry' => 'Arts & crafts', 'Product Category' => 'Ceramics', 'Product' => '', 'Company' => '', 'Other Reference' => '', 'Pronunciation' => '', 'Creation User' => 'MaryK', 'Creation Date' => '2013/6/25', 'Source Lang' => '1180', 'Term' => 'slip', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'slip_₁₂', )

(object) array( 'id' => '1003920', 'url' => 'ZT/material_culture_₃', 'image' => '', 'title' => '物質文化', 'tags' => array ( 0 => '物質文化', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '物質文化', 'source_id' => 744643, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408202020', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'The objects or the physical artifacts of a culture or people, distinguishing manufactured items in contrast to written documents or records.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601838668120068, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'material culture', 'Definition' => 'The objects or the physical artifacts of a culture or people, distinguishing manufactured items in contrast to written documents or records.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'material_culture_₃', )