(object) array( 'id' => '1050771', 'url' => 'ZT/expressionism_₄', 'image' => '', 'title' => '表現主義', 'tags' => array ( 0 => '表現主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '表現主義', 'source_id' => 771045, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413170101', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '具體來說，與一個大寫字母，期限是與現代德國藝術，尤其是 Brücke 關聯和青瑞特群體，但在這個狹窄的意義上講最好稱為德國表現主義。表現主義作為一種通用術語是指在其中形象的現實更或較不嚴重扭曲的形式和顏色，使其富有表現力的演出者的內心感受或想法它的藝術。表現主義藝術中的顏色特別是可以是高度緊張和非自然主義、 工筆是通常免費和油漆應用程式往往是慷慨和高質感。表現主義藝術傾向于情感和有時神秘。它可以被視為浪漫主義的延伸。在它的現代形式可以說開始與梵古，然後形成的其他許多擁抱孟克、 野獸派和馬蒂斯、 遠房、 Brücke 和青瑞特群體，Schiele，現代藝術的主要流 Kokoschka、 克利、 貝克曼，大多數的畢卡索、 摩爾、 薩瑟蘭、 培根、 賈柯梅蒂、 Dubuffet、 Baselitz、 Kiefer 和 1980 年代新表現主義。它去抽象與抽象表現主義。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602058277683203, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'expressionism', 'Company' => 'Tate', 'Definition' => 'Specifically, and with a capital letter, the term is associated with modern German art, particularly the Brücke and Blaue Reiter groups, but in this narrow sense is best referred to as German Expressionism. Expressionism as a general term refers to art in which the image of reality is more or less heavily distorted in form and colour in order to make it expressive of the artists inner feelings or ideas about it. In expressionist art colour in particular can be highly intense and non-naturalistic, brushwork is typically free and paint application tends to be generous and highly textured. Expressionist art tends to be emotional and sometimes mystical. It can be seen as an extension of Romanticism. In its modern form it may be said to start with Van Gogh and then form a major stream of modern art embracing, among many others, Munch, Fauvism and Matisse, Rouault, the Brücke and Blaue Reiter groups, Schiele, Kokoschka, Klee, Beckmann, most of Picasso, Moore, Sutherland, Bacon, Giacometti, Dubuffet, Baselitz, Kiefer, and the New Expressionism of the 1980s. It went abstract with Abstract Expressionism.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'expressionism_₄', )

(object) array( 'id' => '1173448', 'url' => 'ZT/rum', 'image' => '', 'title' => '蘭姆酒, 甘蔗酒', 'tags' => array ( 0 => '蘭姆酒, 甘蔗酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '蘭姆酒, 甘蔗酒', 'source_id' => 103780, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110429101601', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'Made by distilling the fermented juice of sugar cane, cane syrup and molasses. It is bottled and sold at 80 proof. Aged in uncharred barrels, it picks up very little color. Caramel is added to create dark rums. Most rums are a blend of several kinds.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602613964242946, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'rum', 'Definition' => 'An alcoholic liquor distilled from sugar-cane residues or molasses', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'rum', )

(object) array( 'id' => '1047637', 'url' => 'ZT/Bauhaus_₁', 'image' => 'Bauhaus-Signet.svg-1381283128.png', 'title' => '包浩斯', 'tags' => array ( 0 => '包浩斯', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '包浩斯', 'source_id' => 770993, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20131009014626', 'part_of_speech' => 'proper noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '藝術、 建築和設計于 1919 年成立由先驅的現代建築師 Walter Gropius 在德國魏瑪的革命學校。其教學方法取代傳統學生與教師的關係的社區的演出者一起工作的想法。其目的是帶回與日常生活、 藝術和設計因此獲得盡可能多的重量作為美術。名稱是建築 （bau） 德語單詞和房子 (haus） 的組合，可能為了喚起的行會或兄弟會致力建立一個新的社會理念。包豪斯在搬到紹 1925年-6 Gropius 為它創建一個新的大廈的位置。在 1932 年它移到哪裡它被關閉被納粹柏林。教師包括康定斯基、 克利、 Moholy-Nagy 和 Albers。它的影響是巨大的尤其是在美國 Moholy-Nagy 哪裡打開新包豪斯在芝加哥在 1937 年。在 1933 年博斯黑色山學院在北卡羅萊納州和在 1950 年到耶魯大學去了其方法。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 450, 'height' => 425, '_version_' => 1503602043013562370, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Bauhaus', 'Company' => 'Tate', 'Definition' => 'Revolutionary school of art, architecture and design established by the pioneer modern architect Walter Gropius at Weimar in Germany in 1919. Its teaching method replaced the traditional pupil-teacher relationship with the idea of a community of artists working together. Its aim was to bring art back into contact with everyday life, and design was therefore given as much weight as fine art. The name is a combination of the German words for building (bau) and house (haus) and may have been intended to evoke the idea of a guild or fraternity working to build a new society. The Bauhaus moved to Dessau in 1925-6 where Gropius created a new building for it. In 1932 it moved to Berlin where it was closed by the Nazis. Teachers included Kandinsky, Klee, Moholy-Nagy and Albers. Its influence was immense, especially in the USA where Moholy-Nagy opened the New Bauhaus in Chicago in 1937. In 1933 Albers took its methods to Black Mountain College in North Carolina and in 1950 to Yale University.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'proper noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', 'Sample Image' => 'Bauhaus-Signet.svg-1381283128.png', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Bauhaus_₁', )

(object) array( 'id' => '1003874', 'url' => 'ZT/medieval_₁', 'image' => '', 'title' => '中世紀', 'tags' => array ( 0 => '中世紀', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '中世紀', 'source_id' => 744642, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408201042', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A period of european history between classical antiquity and the renaissance. It is traditionally dated from 476 ce, with the deposition of romulus augustulus, the last roman emperor of the west, to 1453 when constantinople fell to the ottoman turks.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601838493007875, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'medieval', 'Definition' => 'A period of european history between classical antiquity and the renaissance. It is traditionally dated from 476 ce, with the deposition of romulus augustulus, the last roman emperor of the west, to 1453 when constantinople fell to the ottoman turks.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'medieval_₁', )

(object) array( 'id' => '1134698', 'url' => 'ZT/doorframe', 'image' => '', 'title' => '門框', 'tags' => array ( 0 => '門框', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '門框', 'source_id' => 694715, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110422134713', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '支援一扇門或一個視窗 （視窗框架） 的框架。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602437440667651, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'doorframe', 'Definition' => 'the frame that supports a door, or a window (window frame).', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/2', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'doorframe', )

(object) array( 'id' => '1004853', 'url' => 'ZT/jambs_₁', 'image' => '', 'title' => '門窗邊框', 'tags' => array ( 0 => '門窗邊框', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '門窗邊框', 'source_id' => 744672, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408224047', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '垂直職位的門口或視窗的框架 ；以及使用的偏向于某一個門口的牆壁。在入口網站的哥特式大教堂，雕塑旁柱。例如，在沙特爾大教堂，這些是雕塑在左側和右側的門口或入口網站。雕塑或郵政在門口的中心是壁式。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601842412584962, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'jambs', 'Definition' => 'The vertical posts of a doorway or window frame; used as well of the walls that slant towards a doorway. In the portals of gothic cathedrals the jambs are sculptures. At chartres cathedral, for example, these are the sculptures on the left and right of the doorways or portals. The sculpture or post in the center of a doorway is the trumeau.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'jambs_₁', )

(object) array( 'id' => '1004939', 'url' => 'ZT/horizon_₇', 'image' => '', 'title' => '地平線', 'tags' => array ( 0 => '地平線', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '地平線', 'source_id' => 744688, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408230517', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '選定地方的地面和天空似乎在景觀圖像中，滿足，或者，所以會出現如果不遮蓋或作出隱隱綽綽的干預物件和地形不規則的線。線性角度來看，消失點通常位於天際線，只要這條線指示級別的描述現場的觀察者的眼睛。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601842643271682, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'horizon', 'Definition' => 'The line that designates where the ground and sky appear to meet in a landscape image, or, alternatively, would so appear if not obscured or made indistinct by intervening objects and topographical irregularities. In linear perspective, the vanishing point is typically situated on the horizon line, insofar as this line indicates the level of the eyes of the viewer of the depicted scene.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'horizon_₇', )

(object) array( 'id' => '1068155', 'url' => 'ZT/non-objective_art', 'image' => '', 'title' => '非客觀藝術', 'tags' => array ( 0 => '非客觀藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '非客觀藝術', 'source_id' => 771173, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415192135', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '俄羅斯建構主義畫家瓦西裡康定斯基和 Kasimir 馬列維奇和雕刻家 Naum Gabo 是而非目的藝術的先驅。它定義了一種類型的抽象藝術，是通常情況下，但不是總是） 幾何的靈感來自希臘哲學家柏拉圖認為幾何是美的最高形式。而非目的藝術可能會試圖想像精神、 和可以被視為攜帶一個道德維度，站在為像純度和樸素的美德。在 1960 年代一群美國演出者，包括 Sol LeWitt 和 Donald Judd 擁抱而非目的藝術哲學。通過創建高度簡化的幾何藝術工業材料他們提升這些對審美水準。他們的工作被稱為少藝術。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602141214801922, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'non-objective art', 'Company' => 'Tate', 'Definition' => 'The Russian Constructivist painters Wassily Kandinsky and Kasimir Malevich and the sculptor Naum Gabo were pioneers of Non-objective art. It defines a type of abstract art that is usually, but not always, geometric and was inspired by the Greek philosopher Plato who believed that geometry was the highest form of beauty. Non-objective art may attempt to visualise the spiritual, and can be seen as carrying a moral dimension, standing for virtues like purity and simplicity. In the 1960s a group of American artists, including Sol LeWitt and Donald Judd, embraced the philosophy of Non-objective art. By creating highly simplified geometric art out of industrial materials they elevated these to an aesthetic level. Their work became known as Minimal art.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'non-objective_art', )

(object) array( 'id' => '991791', 'url' => 'ZT/tracery_₃', 'image' => '', 'title' => '花飾窗格', 'tags' => array ( 0 => '花飾窗格', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '花飾窗格', 'source_id' => 744536, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110407200242', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '觀賞石的模式在視窗的上半部分中使用的工作。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601784274288640, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'tracery', 'Definition' => 'Ornamental stone pattern work used in the upper parts of windows.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'tracery_₃', )

(object) array( 'id' => '1002823', 'url' => 'ZT/mihrab', 'image' => '', 'title' => '朝向麥加的壁龕', 'tags' => array ( 0 => '朝向麥加的壁龕', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '朝向麥加的壁龕', 'source_id' => 744632, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408184007', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '拱或利基，平面或凹在牆上的一座清真寺，例如，指示一個穆斯林的禱告 (qibla) 的方向。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601834370007041, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'mihrab', 'Definition' => 'An arch or niche, flat or concave in the wall of a mosque, for example, which indicates the direction of prayer (qibla) for a moslem.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'mihrab', )