(object) array( 'id' => '1052196', 'url' => 'ZT/fresco_₃', 'image' => '', 'title' => '石灰彩壁畫；濕壁畫', 'tags' => array ( 0 => '石灰彩壁畫；濕壁畫', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '石灰彩壁畫；濕壁畫', 'source_id' => 771062, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413212155', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '壁畫技術約十三世紀在義大利從開發和完善在文藝復興的時間。兩件外套的石膏應用到一堵牆，讓它幹。在第二個設計繪製的大綱。若要使這幅畫，牆上對應于一天的工作面積新鮮貼和設計折回與揭露了部分加入。這一領域然後在仍濕，使用水性漆髹上。油漆吸收到成為一個組成部分它，從而使之成為一種持久的壁畫技術的濕灰泥。灰泥是乾燥，但乾燥的石膏上畫整幅壁畫是容易剝落時，可以做一些觸摸。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602063856107522, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'fresco', 'Company' => 'Tate', 'Definition' => 'A mural painting technique developed in Italy from about the thirteenth century and perfected at the time of the Renaissance. Two coats of plaster are applied to a wall and allowed to dry. On the second the design is drawn in outline. To make the painting, an area of the wall corresponding to a day\'s work is freshly plastered and the design retraced joining up with the uncovered parts. This area is then painted on while still wet, using water-based paint. The paint is absorbed into the wet plaster becoming an integral part of it, thus making it a durable mural technique. Some touching up can be done when the plaster is dry but a whole fresco painted on dry plaster is liable to flake off.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'fresco_₃', )

(object) array( 'id' => '1120441', 'url' => 'ZT/triptych_₁', 'image' => '', 'title' => '三幅組畫；三聯屏', 'tags' => array ( 0 => '三幅組畫；三聯屏', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '三幅組畫；三聯屏', 'source_id' => 771332, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20121101122225', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '三、 畫的三個小組，從希臘 \'ptychi\' = 一側，折疊等', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602377386622978, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'triptych', 'Company' => 'Tate', 'Definition' => 'triptych, is painting of three panels, from Greek \'\'ptychi\'\', =side, fold etc', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'triptych_₁', )

(object) array( 'id' => '1121270', 'url' => 'ZT/Victorian', 'image' => '', 'title' => '維多利亞', 'tags' => array ( 0 => '維多利亞', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '維多利亞', 'source_id' => 771339, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110420202130', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '從 1837 年到 1901 年維多利亞女王長統治期間指英國生活和文化的幾乎每一個方面的毯子術語。然而，社會行為、 藝術和設計等方面它運載悶氣、 困頓和剛性奉獻到傳統的內涵。在藝術中具體期限在風俗畫，提供非凡的期間，包括農村自然主義和社會寫實，但維多利亞時代風格也許特別是與感性關聯和安慰威爾基和他的追隨者的工作生活的全景是也許的例子。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602380713754626, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Victorian', 'Company' => 'Tate', 'Definition' => 'Blanket term referring to almost every aspect of British life and culture during Queen Victoria\'s long reign from 1837 to 1901. In relation to social behaviour, art and design however, it carries connotations of stuffiness, repressiveness and rigid devotion to tradition. In art specifically the term is perhaps exemplified in the genre painting which provides an extraordinary panorama of the life of the period, including Rural Naturalism and Social Realism, but Victorian genre perhaps particularly associated with the sentimental and reassuring work of Wilkie and his followers.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Victorian', )

(object) array( 'id' => '1001594', 'url' => 'ZT/phenomenology_₁', 'image' => '', 'title' => '現象學', 'tags' => array ( 0 => '現象學', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '現象學', 'source_id' => 744592, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408164627', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '哲學研究的人類經驗中哪個單獨的分析考慮的客觀現實和對它的主觀反應，現象學在調查期間，排除在外，或寧可暫時擱置或"括弧"。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601829186895873, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'phenomenology', 'Definition' => 'The philosophic study of human experience in which separate analytical considerations of objective reality and subjective responses to it are, during the phenomenological investigation, left out, or rather temporarily set aside or “bracketed. ”', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'phenomenology_₁', )

(object) array( 'id' => '1060965', 'url' => 'ZT/Hudson_River_School', 'image' => '', 'title' => '哈德遜河畫派', 'tags' => array ( 0 => '哈德遜河畫派', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '哈德遜河畫派', 'source_id' => 771087, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110414191111', 'part_of_speech' => 'proper noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'The collective name given for a number of North American landscape painters active between the 1820s and 1870s who depicted scenes of natural beauty in areas that included the Hudson River Valley and the Catskill Mountains. Prominent artists associated with the school include Thomas Cole and Frederic Edwin Church. (See also Luminism)', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602105600966658, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Hudson River School', 'Company' => 'Tate', 'Definition' => 'The collective name given for a number of North American landscape painters active between the 1820s and 1870s who depicted scenes of natural beauty in areas that included the Hudson River Valley and the Catskill Mountains. Prominent artists associated with the school include Thomas Cole and Frederic Edwin Church. (See also Luminism)', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'proper noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Hudson_River_School', )

(object) array( 'id' => '1069447', 'url' => 'ZT/painting_₁', 'image' => '', 'title' => '繪畫', 'tags' => array ( 0 => '繪畫', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '繪畫', 'source_id' => 771184, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415215605', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '我們稱之為藝術中一切形式 — — 繪畫、 雕塑、 素描、 雕刻 — — 作為上部舊石器時代，即大約 4 萬至 1 萬年前出現在全世界在期間已知的人類群體。在歐洲，在如斯科在法國的洞穴中發現了先進和強大的繪畫，從這一時期。1994 甚至可能更多的驚人作品中亦發現在阿爾代什谷，也在法國肖維岩洞。洞穴壁畫顏料的組成如色稀土擦到岩石上。在某些情況下，他們似乎第一次有了混合成糊狀。繪畫主要代表動物，但有一些人的形象。自那時以來繪畫本質上太大的變化。支援從岩石表面上，通過牆體的建築物，演變到可擕式的紙張、 木材和最後布、 尤其是畫布。顏料的範圍擴大通過廣泛的稀土和礦物質，植物提取物和現代的合成顏色。顏料摻水和口香糖，使油漆、 但在十五世紀在歐洲使用油 （亞麻） 的創新生產發揮了重大作用，在西方繪畫在文藝復興時期和後的創造力的爆炸中新靈活、 耐用介質。同時，擴大，擁抱生活 （體裁） 的幾乎每一個方面的主題事項。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602146670542854, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'painting', 'Company' => 'Tate', 'Definition' => 'What we call art in all its forms—painting, sculpture, drawing and engraving—appeared in human groups all over the world in the period known as the Upper Paleolithic, which is roughly from 40,000 to 10,000 years ago. In Europe, sophisticated and powerful paintings from this period have been discovered in caves such as Lascaux in France. In 1994 possibly even more astonishing works were found in the Chauvet cave in the Ardèche Valley, also in France. Cave paintings consist of pigments such as coloured earths rubbed onto the rock. In some cases they appear to have been mixed into a paste first. The paintings mostly represent animals but there are some human images. Since then painting has changed in essence very little. Supports evolved from rock faces, through the walls of buildings, to portable ones of paper, wood, and finally cloth, particularly canvas. The range of pigments expanded through a wide range of earths and minerals, to plant extracts and modern synthetic colours. Pigments have been mixed with water and gum to make a paint, but in the fifteenth century in Europe the innovation of using oil (linseed) produced a newly flexible and durable medium that played a major part in the explosion of creativity in Western painting at the Renaissance and after. At the same time subject matter expanded to embrace almost every aspect of life (Genres).', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'painting_₁', )

(object) array( 'id' => '1051714', 'url' => 'ZT/format_₇', 'image' => '', 'title' => '格式', 'tags' => array ( 0 => '格式', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '格式', 'source_id' => 771060, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413182302', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '傳統上使用格式來描述的形狀或比例的支援，例如在畫布的一幅畫或救濟等其他基本持平的藝術作品。這兩種最常見的傳統格式為繪畫是通常稱為橫向格式和稱為肖像的直立矩形的水準矩形。另一種傳統，但不太常見的格式是圓一個已知 tondo 作為。有時使用方形格式，值得注意的是，例如由 JMW 特納和在二十世紀廣告萊因哈特。皮特 · 蒙德里安的抽象畫家偶爾地使用的一個角落裡的鑽石吊方形帆布。從 1960 年代更自由的方法來設置格式成為了明顯存在於一些的弗蘭克斯特拉和埃爾斯沃思凱利等演出者的作品和畫布的形狀成為了組成的工作的重要組成部分。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602061958184961, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'format', 'Company' => 'Tate', 'Definition' => 'Format is traditionally used to describe the shape or proportions of the support, for example the canvas, of a painting or other essentially flat work of art such as a relief. The two commonest traditional formats for paintings are the horizontal rectangle often referred to as landscape format and the upright rectangle known as portrait. Another traditional but less common format is the circular one known as the tondo. Square formats have sometimes been used, notably for example by JMW Turner and in the twentieth century Ad Reinhardt. The abstract painter Piet Mondrian occasionally used a square canvas hung by one corner as a diamond. From the 1960s on a much freer approach to format became evident in some of the work of artists such as Frank Stella and Ellsworth Kelly and the shape of the canvas became an important element in the composition of the work.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'format_₇', )

(object) array( 'id' => '1147752', 'url' => 'ZT/jamaican_rum', 'image' => '', 'title' => '牙買加蘭姆酒', 'tags' => array ( 0 => '牙買加蘭姆酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '牙買加蘭姆酒', 'source_id' => 103740, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110425153817', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '濃郁的深色朗姆酒就生產的鍋劇照。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602496046628865, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'jamaican rum', 'Definition' => 'A full-bodied, dark rum that is produced in pot stills.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'jamaican_rum', )

(object) array( 'id' => '1050240', 'url' => 'ZT/Aesthetic_Movement', 'image' => '', 'title' => '唯美主義運動', 'tags' => array ( 0 => '唯美主義運動', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '唯美主義運動', 'source_id' => 771031, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413163615', 'part_of_speech' => 'proper noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'Flourished in Britain 1870s, 1880s. Important equally in fine and applied arts. Critic Walter Hamilton published book The Aesthetic Movement in England 1882. Cult of pure beauty in art and design. Rallying cry \'art for art\'s sake\', meaning art foregrounding the purely visual and sensual, free of practical, moral or narrative considerations. In painting exemplified by Whistler and Albert Moore and certain works by Leighton. Important influence of Japan especially on Whistler and Aesthetic design. In applied arts part of revolution in design initiated by William Morris with foundation of Morris &Co in 1862. From 1875 commercialised by Liberty store in London, which later also popularised Art Nouveau.', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602056197308416, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Aesthetic Movement', 'Company' => 'Tate', 'Definition' => 'Flourished in Britain 1870s, 1880s. Important equally in fine and applied arts. Critic Walter Hamilton published book The Aesthetic Movement in England 1882. Cult of pure beauty in art and design. Rallying cry \'art for art\'s sake\', meaning art foregrounding the purely visual and sensual, free of practical, moral or narrative considerations. In painting exemplified by Whistler and Albert Moore and certain works by Leighton. Important influence of Japan especially on Whistler and Aesthetic design. In applied arts part of revolution in design initiated by William Morris with foundation of Morris &Co in 1862. From 1875 commercialised by Liberty store in London, which later also popularised Art Nouveau.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'proper noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Aesthetic_Movement', )

(object) array( 'id' => '1050771', 'url' => 'ZT/expressionism_₄', 'image' => '', 'title' => '表現主義', 'tags' => array ( 0 => '表現主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '表現主義', 'source_id' => 771045, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413170101', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '具體來說，與一個大寫字母，期限是與現代德國藝術，尤其是 Brücke 關聯和青瑞特群體，但在這個狹窄的意義上講最好稱為德國表現主義。表現主義作為一種通用術語是指在其中形象的現實更或較不嚴重扭曲的形式和顏色，使其富有表現力的演出者的內心感受或想法它的藝術。表現主義藝術中的顏色特別是可以是高度緊張和非自然主義、 工筆是通常免費和油漆應用程式往往是慷慨和高質感。表現主義藝術傾向于情感和有時神秘。它可以被視為浪漫主義的延伸。在它的現代形式可以說開始與梵古，然後形成的其他許多擁抱孟克、 野獸派和馬蒂斯、 遠房、 Brücke 和青瑞特群體，Schiele，現代藝術的主要流 Kokoschka、 克利、 貝克曼，大多數的畢卡索、 摩爾、 薩瑟蘭、 培根、 賈柯梅蒂、 Dubuffet、 Baselitz、 Kiefer 和 1980 年代新表現主義。它去抽象與抽象表現主義。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602058277683203, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'expressionism', 'Company' => 'Tate', 'Definition' => 'Specifically, and with a capital letter, the term is associated with modern German art, particularly the Brücke and Blaue Reiter groups, but in this narrow sense is best referred to as German Expressionism. Expressionism as a general term refers to art in which the image of reality is more or less heavily distorted in form and colour in order to make it expressive of the artists inner feelings or ideas about it. In expressionist art colour in particular can be highly intense and non-naturalistic, brushwork is typically free and paint application tends to be generous and highly textured. Expressionist art tends to be emotional and sometimes mystical. It can be seen as an extension of Romanticism. In its modern form it may be said to start with Van Gogh and then form a major stream of modern art embracing, among many others, Munch, Fauvism and Matisse, Rouault, the Brücke and Blaue Reiter groups, Schiele, Kokoschka, Klee, Beckmann, most of Picasso, Moore, Sutherland, Bacon, Giacometti, Dubuffet, Baselitz, Kiefer, and the New Expressionism of the 1980s. It went abstract with Abstract Expressionism.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'expressionism_₄', )