(object) array( 'id' => '1042270', 'url' => 'ZT/color_field_painting', 'image' => '', 'title' => '色域繪畫', 'tags' => array ( 0 => '色域繪畫', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '色域繪畫', 'source_id' => 769324, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412195623', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '有時被認為作為一個發展的抽象表現主義，撰寫大、 並置區的單一顏色的圖片。關鍵數位包括馬克 rothko、 朱爾斯 olitski 和海倫 frankenthaler。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602015379390467, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'color field painting', 'Definition' => 'Sometimes considered as a development of abstract expressionism, composes images out of large, juxtaposed areas of single colors. Key figures include mark rothko, jules olitski and helen frankenthaler.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'color_field_painting', )

(object) array( 'id' => '1004912', 'url' => 'ZT/illustration_₂', 'image' => '', 'title' => '插圖', 'tags' => array ( 0 => '插圖', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '插圖', 'source_id' => 744681, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408225014', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '在藝術中，看來是使可見，或簡單地對裝飾、 感覺或一個文本，特別是作為對讀者的興趣或瞭解援助意義的圖像。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601842638028802, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'illustration', 'Definition' => 'In art, an image that purports to make visible, or simply to ornament, the sense or meaning of a text, particularly as an aid to the reader’s interest or understanding.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'illustration_₂', )

(object) array( 'id' => '1093091', 'url' => 'ZT/tachisme', 'image' => '', 'title' => '斑點派; 潑灑畫派', 'tags' => array ( 0 => '斑點派; 潑灑畫派', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '斑點派; 潑灑畫派', 'source_id' => 771320, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110418212503', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'French term for the improvisatory non-geometric abstract art that developed in Europe in the 1940s and 1950s and was the European equivalent to Abstract Expressionism in America. Tachisme is virtually synonymous with Art Informel (see that for list of artists). The name derives from the French word tache, meaning a stain or splash (e. G. Of paint). The introduction of the term to describe these post-war developments is usually credited to the critic Pierre Guéguen in 1951. However, it was used in 1889 by the critic Félix Fénéon to describe the Impressionist technique, and again in 1909 by the artist Maurice Denis referring to the Fauve painters.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602258019876870, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'tachisme', 'Company' => 'Tate', 'Definition' => 'French term for the improvisatory non-geometric abstract art that developed in Europe in the 1940s and 1950s and was the European equivalent to Abstract Expressionism in America. Tachisme is virtually synonymous with Art Informel (see that for list of artists). The name derives from the French word tache, meaning a stain or splash (e.g. Of paint). The introduction of the term to describe these post-war developments is usually credited to the critic Pierre Guéguen in 1951. However, it was used in 1889 by the critic Félix Fénéon to describe the Impressionist technique, and again in 1909 by the artist Maurice Denis referring to the Fauve painters.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'tachisme', )

(object) array( 'id' => '1050776', 'url' => 'ZT/Fauvism', 'image' => '', 'title' => '野獸派; 野獸主義', 'tags' => array ( 0 => '野獸派; 野獸主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '野獸派; 野獸主義', 'source_id' => 771050, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413170114', 'part_of_speech' => 'proper noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '從 1905 年到大約 1910年給予繪畫的馬蒂斯、 德朗和他們的圈子名稱。它們被稱為 les — — 野獸 — — 因為他們使用的刺耳膚色和顯然野生筆法。所以他們的工作也是相當抽象，被高度簡化他們的主題。野獸派可以視為極端延長梵古後印象派結合 Neo-Impressionism Seurat。野獸派也可以視為表現主義的一種形式。他們的工作第一次在巴黎沙龍 d\'automne 顯示在 1905 年時，名稱是鑄造或由評論家路易 Vauxcelles。集團的其他成員包括布拉克，芭蕾，遠房 Vlaminck。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602058279780352, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Fauvism', 'Company' => 'Tate', 'Definition' => 'Name given to the painting of Matisse, Derain and their circle from 1905 to about 1910. They were called les fauves—the wild beasts—because of their use of strident colour and apparently wild brushwork. Their subjects were highly simplified so their work was also quite abstract. Fauvism can be seen as an extreme extension of the Post-Impressionism of Van Gogh combined with the Neo-Impressionism of Seurat. Fauvism can also be seen as a form of Expressionism. The name was coined by the critic Louis Vauxcelles when their work was shown for the first time at the Salon d\'automne in Paris in 1905. Other members of the group included Braque, Dufy, Rouault, Vlaminck.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'proper noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Fauvism', )

(object) array( 'id' => '1047642', 'url' => 'ZT/aura_₄', 'image' => '', 'title' => '氛圍', 'tags' => array ( 0 => '氛圍', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '氛圍', 'source_id' => 770998, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413130100', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '他有影響力的 1936年雜文 \' 藝術作品在機械複製時代 \'，使用由沃爾特 · 本傑明在一詞它被標識為不能通過機械複製，例如攝影傳達圖稿的組成部分的品質。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602043015659521, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'aura', 'Company' => 'Tate', 'Definition' => 'The term used by Walter Benjamin in his influential 1936 essay \'The Work of Art in the Age of Mechanical Reproduction\', where it is identified as a quality integral to an artwork that cannot be communicated through mechanical reproduction, such as photography.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'aura_₄', )

(object) array( 'id' => '1067037', 'url' => 'ZT/metal_₄', 'image' => '', 'title' => '金屬', 'tags' => array ( 0 => '金屬', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '金屬', 'source_id' => 771128, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415170032', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '有兩個家庭的金屬： 黑色金屬和有色金屬。所有黑色金屬都含有鐵。非鐵金屬包括鋁、 鋅和銅和鋅合金，例如青銅。為使鑄鐵雕塑青銅器的使用是非常古老。從二十世紀初巴勃羅畢卡索和俄羅斯 Constructivists 等演出者開始探索的其他金屬，使用和胡利奧 · 岡薩雷斯介紹了焊接金屬雕塑。使用範圍和工業製造技術的金屬，例如成為了普遍少藝術並生成新的雕塑中。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602136213094403, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'metal', 'Company' => 'Tate', 'Definition' => 'There are two families of metals: Ferrous and non ferrous. All ferrous metals contain iron. Non ferrous metals include aluminium, zinc and copper and its alloys, for example bronze. The use of bronze for making cast sculpture is very ancient. From the early twentieth century artists such as Pablo Picasso and the Russian Constructivists began to explore the use of other metals, and Julio González introduced welded metal sculpture. The use of a range of metals and of industrial making techniques became widespread in Minimal art and New Generation sculpture for example.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'metal_₄', )

(object) array( 'id' => '1135137', 'url' => 'ZT/barback', 'image' => '', 'title' => '酒吧後勤', 'tags' => array ( 0 => '酒吧後勤', 1 => 'Bars & nightclubs', 2 => 'Nightclub terms', 3 => '', ), 'term' => '酒吧後勤', 'source_id' => 889027, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Bars & nightclubs', ), 'category' => array ( 0 => 'Nightclub terms', ), 'lastedit' => '20110422142544', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '調酒師助理，工作在夜總會、 酒吧、 餐館和餐飲大廳。Barbacks 股票與酒、 冰、 玻璃器皿、 啤酒、 裝飾，等等，酒吧和通常接收部分的酒保的提示 ；經常大約 10%至 20%或將部分總銷售 ；從 1。5%至 3%。在酒吧裡高容量，這可能然後被劃分如果多個軍營是工作人員。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602441399042051, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'barback', 'Definition' => 'A bartender\'s assistant, working in nightclubs, bars, restaurants and catering halls. Barbacks stock the bar with liquor, ice, glassware, beer, garnishes, and so on, and usually receive a portion of the bartender\'s tips; often around 10% to 20%, or a portion of total sales; from 1. 5% to 3%. At high volume bars, this may then be divided if more than one barback was on staff.', 'Domain' => 'Documentation', 'Industry' => 'Bars & nightclubs', 'Part of Speech' => 'noun', 'Product Category' => 'Nightclub terms', 'Usage Status' => 'New', 'Creation User' => 'cutecee12', 'Creation Date' => '2011/3/17', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'barback', )

(object) array( 'id' => '1048707', 'url' => 'ZT/art_deco_₄', 'image' => '', 'title' => '裝飾藝術', 'tags' => array ( 0 => '裝飾藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '裝飾藝術', 'source_id' => 771011, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413144420', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '20 世紀 20 年代和 30 年代的傢俱、 陶瓷、 紡織品、 珠寶首飾、 玻璃等的設計風格。這也是建築的顯著的電影院和酒店風格。1925 年在巴黎舉行的國際展覽的現代裝飾和工業藝術命名。可以被視為對繼任者和反對新藝術風格的反應。從新藝術風格的主要區別在於是立體主義給裝飾藝術設計一般更分散、 幾何特徵的影響。然而，基於植物形式的意象和蜿蜒曲線仍然在一些藝術裝飾設計，例如，在英國的克麗絲懸崖。裝飾藝術其實高度不同，顯示影響從古埃及藝術、 阿茲台克人和其他古代中美洲藝術和現代船舶、 火車和汽車的設計。裝飾藝術還提請的現代建築與設計的包豪斯，和建築師勒 · 柯布西耶和密斯 · 范 · 德 Rohe 等。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602048212402176, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'art deco', 'Company' => 'Tate', 'Definition' => 'Design style of 1920s and 1930s in furniture, pottery, textiles, jewellery, glass etc. It was also a notable style of cinema and hotel architecture. Named after the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925. Can be seen as successor to and a reaction against Art Nouveau. Chief difference from Art Nouveau is influence of Cubism giving Art Deco design generally a more fragmented, geometric character. However, imagery based on plant forms, and sinuous curves remained in some Art Deco design, for example that of Clarice Cliff in Britain. Art Deco was in fact highly varied, showing influences from ancient Egyptian art, Aztec and other ancient Central American art, and the design of modern ships, trains and motor cars. Art Deco also drew on the modern architecture and design of the Bauhaus, and of architects such as Le Corbusier and Mies van de Rohe.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'art_deco_₄', )

(object) array( 'id' => '1003871', 'url' => 'ZT/metaphor_₈', 'image' => '', 'title' => '隱喻', 'tags' => array ( 0 => '隱喻', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '隱喻', 'source_id' => 744639, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408201036', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '有時用來指比喻語言一般，隱喻具體來說是一種修辭術語或名稱轉移到這並不是嚴格適用的東西。它字面意思來傳輸。因此，例如，"盛開女傭"轉讓鮮花進入美容到一個年輕女人的想法。這是分明的從一個明喻，比較而言，或像處於這一短語，如"像一朵花盛開女傭"。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601838493007872, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'metaphor', 'Definition' => 'Sometimes used to refer to figurative language in general, metaphor specifically is a figure of speech in which a term or name is transferred to something to which it is not strictly applicable. It literally means to transfer. Hence, for example, “the blooming maid” transfers the idea of flowers coming into beauty to a young woman. This is distinct from a simile, in which the comparative terms as or like are left in the phrase, as in “a maid blooming like a flower. ”', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'metaphor_₈', )

(object) array( 'id' => '1135928', 'url' => 'ZT/bitters', 'image' => '', 'title' => '苦藥類; 比特酒, 苦酒', 'tags' => array ( 0 => '苦藥類; 比特酒, 苦酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '苦藥類; 比特酒, 苦酒', 'source_id' => 103682, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110422161545', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '在特殊比例結合的根、 樹皮、 草藥和其他植物藥輸液。苦味被分類為不同用途作為芳香、 調味品或瀉藥。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602444356026368, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'bitters', 'Definition' => 'An infusion of roots, barks, herbs and other botanicals combined in special proportions. Bitters are classified for different uses as aromatic, flavoring or laxative.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'bitters', )