(object) array( 'id' => '1209303', 'url' => 'ZT/carbonic_maceration', 'image' => '', 'title' => '二氧化碳浸泡', 'tags' => array ( 0 => '二氧化碳浸泡', 1 => 'Beverages', 2 => 'Wine', 3 => '', ), 'term' => '二氧化碳浸泡', 'source_id' => 29499, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Wine', ), 'lastedit' => '20110506155034', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '發酵的整個、 未經壓碎葡萄二氧化碳的氛圍中。在實踐中，上部層數加值稅的葡萄的重量將會打破最低層 ； 的皮由此產生的酒部分是果汁的碳浸漬和部分的傳統發酵產品。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602786849259522, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'carbonic maceration', 'Definition' => 'Fermentation of whole, uncrushed grapes in a carbon dioxide atmosphere. In practice, the weight of the upper layers of grapes in a vat will break the skins of the lowest layer; the resultant wine is partly a product of carbonic maceration and partly of traditional fermentation of juice.', 'Part of Speech' => 'noun', 'Industry' => 'Beverages', 'Product Category' => 'Wine', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Creation User' => 'Hvang', 'Creation Date' => '2010/05/21', 'Revision User' => 'Hvang', 'Revision Date' => '2010/05/21', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'carbonic_maceration', )

(object) array( 'id' => '1042836', 'url' => 'ZT/digital_art', 'image' => '', 'title' => '數位藝術', 'tags' => array ( 0 => '數位藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '數位藝術', 'source_id' => 770937, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110412205633', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '詞數位藝術的第一次使用是在 1980 年代初當電腦工程師設計出畫圖程式，使用了由開拓數位演出者哈樂德 · 科恩。這被稱為亞倫，旨在使大型繪圖的紙張放在地板上一個機器人機器。自本年初進軍人工智慧，科恩繼續微調的亞倫程式隨著技術變得更複雜。數位藝術可以是電腦生成、 掃描或使用平板電腦和滑鼠繪製。在 1990 年代，由於數位技術的改進是可能要下載到電腦，允許演出者來操縱他們已經拍了視頻攝像機的圖像上的視頻。這給了演出者從未經歷過與影片，允許他們進行剪切和粘貼內移動圖像來創建視覺拼貼畫創作自由。在最近一段時間一些數位藝術已成為互動，允許觀眾一定量的控制最終的圖像。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602017956790273, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'digital art', 'Company' => 'Tate', 'Definition' => 'The first use of the term Digital art was in the early 1980s when computer engineers devised a paint program which was used by the pioneering digital artist Harold Cohen. This became known as AARON, a robotic machine designed to make large drawings on sheets of paper placed on the floor. Since this early foray into artificial intelligence, Cohen has continued to fine-tune the AARON program as technology becomes more sophisticated. Digital art can be computer generated, scanned or drawn using a tablet and a mouse. In the 1990s, thanks to improvements in digital technology, it was possible to download video onto computers, allowing artists to manipulate the images they had filmed with a video camera. This gave artists a creative freedom never experienced before with film, allowing them to cut and paste within moving images to create visual collages. In recent times some Digital art has become interactive, allowing the audience a certain amount of control over the final image.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'digital_art', )

(object) array( 'id' => '1069471', 'url' => 'ZT/pendant_₆', 'image' => '', 'title' => '對畫', 'tags' => array ( 0 => '對畫', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '對畫', 'source_id' => 771192, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415221011', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A pendant picture is one of two pictures designed to hang together as a matching pair. Pendant means hanging, and the term seems to originate in the idea of one hanging from the other—i. E. Attached to the other. In practice pendant pairs of pictures were usually displayed on either side of a fireplace, or even a door. They are usually the same size and of subjects that are basically similar but differ in detail. Pendant pairs are often husband and wife portraits. Pendant pairs were not always conceived as such—buyers of a one-off picture would sometimes ask the artist to paint a pendant.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602146920103941, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'pendant', 'Company' => 'Tate', 'Definition' => 'A pendant picture is one of two pictures designed to hang together as a matching pair. Pendant means hanging, and the term seems to originate in the idea of one hanging from the other—i.e. Attached to the other. In practice pendant pairs of pictures were usually displayed on either side of a fireplace, or even a door. They are usually the same size and of subjects that are basically similar but differ in detail. Pendant pairs are often husband and wife portraits. Pendant pairs were not always conceived as such—buyers of a one-off picture would sometimes ask the artist to paint a pendant.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'pendant_₆', )

(object) array( 'id' => '1135288', 'url' => 'ZT/guestlist', 'image' => '', 'title' => '來賓名單', 'tags' => array ( 0 => '來賓名單', 1 => 'Bars & nightclubs', 2 => 'Nightclub terms', 3 => '', ), 'term' => '來賓名單', 'source_id' => 889031, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Bars & nightclubs', ), 'category' => array ( 0 => 'Nightclub terms', ), 'lastedit' => '20110422144614', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '受邀者到一家夜總會或其他地點，允許某些出席者俱樂部免費進入的或在降低利率的清單。某些夜總會有一系列未經的賓客選項從免費的要減少到與線繞道特權只有全價。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602441915990016, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'guestlist', 'Definition' => 'A list of invitees to a nightclub or other venue which allows certain attendees to enter the club for free, or at a reduced rate. Some nightclubs have a range of unpublicised guestlist options ranging from free, to reduced, to full price with line by-pass privileges only.', 'Domain' => 'Documentation', 'Industry' => 'Bars & nightclubs', 'Part of Speech' => 'noun', 'Product Category' => 'Nightclub terms', 'Usage Status' => 'New', 'Creation User' => 'cutecee12', 'Creation Date' => '2011/3/17', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'guestlist', )

(object) array( 'id' => '1069413', 'url' => 'ZT/op_art', 'image' => '', 'title' => '歐普藝術', 'tags' => array ( 0 => '歐普藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '歐普藝術', 'source_id' => 771180, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415214513', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '主要的發展在 20 世紀 60 年代為觀眾創造光學效應的那幅畫。這些影響至不等的微妙，干擾與迷失。Op 繪畫純粹幾何形式框架用作及其影響的基礎，並且還提請對色彩理論、 生理學和心理學的悟性。主要人物是布麗姬特 · 萊利、 拉斐爾 · 索托耶穌和 Victor Vasarely。Vasarely 是 Op 藝術的創始者之一。索托的工作經常涉及到移動元素和點動能和 Op 藝術之間的密切聯繫。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602146643279875, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'op art', 'Company' => 'Tate', 'Definition' => 'A major development in the 1960s of painting that created optical effects for the spectator. These effects ranged from the subtle, to the disturbing and disorienting. Op painting used a framework of purely geometric forms as the basis for its effects and also drew on colour theory and the physiology and psychology of perception. Leading figures were Bridget Riley, Jesus Raphael Soto, and Victor Vasarely. Vasarely was one of the originators of Op art. Soto\'s work often involves mobile elements and points up the close connection between Kinetic and Op art.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'op_art', )

(object) array( 'id' => '1130744', 'url' => 'ZT/builder_₂', 'image' => '', 'title' => '建築工', 'tags' => array ( 0 => '建築工', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '建築工', 'source_id' => 688895, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421204009', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '在建築行業中有特殊技術的工人。產生器可以梅森、 電工、 水管工、 畫家、 木匠...', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602422124118017, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'builder', 'Definition' => 'A worker who has special skills in the building industry. A builder can be mason, electrician, plumber, painter, carpenter...', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Synonym' => 'craftsman; building tradesman_₀', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/1', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'builder_₂', )

(object) array( 'id' => '1130768', 'url' => 'ZT/roofer', 'image' => '', 'title' => '屋頂建築工', 'tags' => array ( 0 => '屋頂建築工', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '屋頂建築工', 'source_id' => 690430, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421213003', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '專門從事製作屋頂、 地基和防水皮膚外層，作為一個建設者發現大多數國內體系結構。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602422298181633, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'roofer', 'Definition' => 'A builder specialised in making roofs, footings and outer weatherproof skin, as found on most domestic architecture.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/1', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'roofer', )

(object) array( 'id' => '1061307', 'url' => 'ZT/linocut_₁', 'image' => '', 'title' => '浮雕版拓印', 'tags' => array ( 0 => '浮雕版拓印', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '浮雕版拓印', 'source_id' => 771115, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110414202537', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '救濟列印製作的方式類似于木刻。Lino 塊組成的一層薄薄的油氈 (塗有凝固的亞麻子油的製備畫布後備） 通常安裝在木頭上。軟油氈可以切掉很容易超過一個木頭塊和在任何方向 (沒有五穀等) 產生凸起表面，可簽署並列印。它稍微粗糙的表面均勻地接受墨蹟。油氈發明于 19 世紀作為地板覆蓋物 ；它在二十世紀成為了最受歡迎的演出者和業餘的版畫。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602107216822274, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'linocut', 'Company' => 'Tate', 'Definition' => 'A relief print produced in a manner similar to woodcut. The lino block consists of a thin layer of linoleum (a canvas backing coated with a preparation of solidified linseed oil) usually mounted on wood. The soft linoleum can be cut away more easily than a wood-block and in any direction (no grain) to produce a raised surface that can be inked and printed. Its slightly textured surface accepts ink evenly. Linoleum was invented in the nineteenth century as a floor covering; it became popular with artists and amateurs for printmaking in the twentieth century.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'linocut_₁', )

(object) array( 'id' => '991512', 'url' => 'ZT/extruder', 'image' => '', 'title' => '擠泥機', 'tags' => array ( 0 => '擠泥機', 1 => 'Arts & crafts', 2 => 'Ceramics', 3 => '', ), 'term' => '擠泥機', 'source_id' => 367738, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Arts & crafts', ), 'category' => array ( 0 => 'Ceramics', ), 'lastedit' => '20110407193828', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '部隊通過模具生產擠壓的粘土形狀塑膠粘土的機器。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601783099883520, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Definition' => 'Machine which forces plastic clay through a die to produce extruded clay shapes.', 'Part of Speech' => 'noun', 'Industry' => 'Arts & crafts', 'Product Category' => 'Ceramics', 'Product' => '', 'Company' => '', 'Other Reference' => '', 'Pronunciation' => '', 'Creation User' => 'MaryK', 'Creation Date' => '2013/6/25', 'Source Lang' => '1180', 'Term' => 'extruder', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'extruder', )

(object) array( 'id' => '1067700', 'url' => 'ZT/neo-concrete', 'image' => '', 'title' => '新即物派', 'tags' => array ( 0 => '新即物派', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '新即物派', 'source_id' => 771153, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415180027', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '新混凝土運動是混凝土藝術運動，在 20 世紀 50 年代形成在巴西的一個派別。建設國家的新烏托邦首都、 巴西利亞和聖保羅兩年期的形成，與巴西的年輕演出者的啟發，創造當代理論控制論、 完形心理學和國際演出者像布麗姬特 · 萊利和 Victor Vasarely 光學實驗畫的藝術。Lygia 克拉克，Lygia Pape，Am\'lcar de Castro Franz Weissmann 雷納爾多 · 食鹽、 塞爾吉奧 · 德 Camargo、 Theon Spanudis 和費雷拉 Gullar 混凝土組，種教條式的做法不滿意所以刊登新混凝土宣言于 1959 年，呼籲更多感性、 膚色和混凝土藝術中的詩情。在 1960 年 Hélio 奧氣加入集團，他的紅色和黃色的突破性系列繪成三維的空間掛木結構有效地解放了顏色。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602139361968128, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'neo-concrete', 'Company' => 'Tate', 'Definition' => 'The Neo-Concrete movement was a splinter group of the Concrete art movement, formed in Brazil in the 1950s. With the construction of the country\'s new utopian capital, Brasilia and the formation of the São Paulo Biennial, young Brazilian artists were inspired to create art that drew on contemporary theories of cybernetics, gestalt psychology and the optical experiments of international artists like Bridget Riley and Victor Vasarely. Lygia Clark, Lygia Pape, Am\'lcar de Castro, Franz Weissmann, Reynaldo Jardim, Sergio de Camargo, Theon Spanudis and Ferreira Gullar were unhappy with the dogmatic approach of the Concrete group, so published the Neo-Concrete manifesto in 1959, which called for a greater sensuality, colour and poetic feeling in Concrete art. In 1960 Hélio Oiticica joined the group and his groundbreaking series of red and yellow painted hanging wood constructions effectively liberated colour into three-dimensional space.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'neo-concrete', )