(object) array( 'id' => '1042272', 'url' => 'ZT/baroque_₇', 'image' => '', 'title' => '巴洛克', 'tags' => array ( 0 => '巴洛克', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '巴洛克', 'source_id' => 769759, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412195627', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '這個術語，來指定相應的大致與十七世紀在歐洲 (主要是天主教的) 文體期 (一般在十六世紀矯飾主義之後和將合併到洛可哥以後進入第十八)。巴羅克風格的特點往往是為具有複雜曲折的表單、 線和整體組成 ；經常闡述詳細資訊，是否自然主義或裝飾，和大膽的顏色和照明中的強對比 （見明暗對比） ；所有這些都有助於霍爾馬克莊嚴和情感強度的許多時期的傑作。更廣義地說，隱喻和特別是寓言的自覺探索也被視為內巴羅克式美學的發展。像最文體時期巴羅克式的被確定這種只以後在歷史上，藝術歷史條件在很大程度上建立了由 heinrich wölfflin 在他題為文藝復興和巴羅克式的卷。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602015379390469, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'baroque', 'Definition' => 'This term that has come to designate a stylistic period corresponding roughly with the seventeenth century in (mainly catholic) europe (generally following on mannerism in the sixteenth century and merging into the rococo later into the eighteenth). Baroque style is often characterized as having a complex sinuosity of form, line and overall composition; often elaborate detail, whether naturalistic or decorative, and bold color and strong contrasts in lighting (see chiaroscuro); all of which contribute to the hallmark grandeur and emotional intensity of many of the period’s masterpieces. More broadly, the self-conscious exploration of metaphor and especially allegory are also seen as developments within baroque aesthetics. Like most stylistic periods, the baroque was identified as such only later in history, established largely in art historical terms by heinrich wölfflin in his volume entitled renaissance and baroque.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'baroque_₇', )

(object) array( 'id' => '1069518', 'url' => 'ZT/pop_art_₁', 'image' => '', 'title' => '普普藝術', 'tags' => array ( 0 => '普普藝術', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '普普藝術', 'source_id' => 771247, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415222017', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '英國和美國版本的靈感來源中最受歡迎和商業文化的藝術賦予的名稱。這些來源包括好萊塢電影、 廣告、 包裝、 流行音樂和漫畫書。在歐洲一個類似的運動稱為 Nouveau Réalisme (新現實主義)。流行音樂在 1950 年代中期開始，在 20 世紀 60 年代達到頂峰。它是在藝術和生活中流行的正統理論的反抗，並可被視為後現代主義的第一次的表現形式之一。現代主義批評的人驚駭由這種低的主題事項的 Pop 演出者的使用和它的他們顯然不加鑒別治療。其實 Pop 都把藝術帶進新的題材領域，開發了新的方式把它展示在藝術中。在美國的首席演出者們利希滕斯坦，奧登堡，Warhol ；在英國，布萊克，考爾菲爾德、 漢密爾頓、 Hockney，鐘斯，自我。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602147222093825, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'pop art', 'Company' => 'Tate', 'Definition' => 'Name given to British and American versions of art that drew inspiration from sources in popular and commercial culture. These sources included Hollywood movies, advertising, packaging, pop music and comic books. In Europe a similar movement was called Nouveau Réalisme (New Realism). Pop began in the mid 1950s and reached its peak in the 1960s. It was a revolt against prevailing orthodoxies in art and life and can be seen as one of the first manifestations of Postmodernism. Modernist critics were horrified by the Pop artists\' use of such low subject matter and by their apparently uncritical treatment of it. In fact Pop both took art into new areas of subject matter and developed new ways of presenting it in art. Chief artists in America were Lichtenstein, Oldenburg, Warhol; in Britain, Blake, Caulfield, Hamilton, Hockney, Jones, Self.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'pop_art_₁', )

(object) array( 'id' => '991644', 'url' => 'ZT/ukiyo-e', 'image' => '', 'title' => '浮世繪', 'tags' => array ( 0 => '浮世繪', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '浮世繪', 'source_id' => 744532, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110407194858', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '日本詞意思"漂浮的世界的圖片"。在日本油畫和版畫製作從 16 世紀至 19 世紀中的運動。著名演出者是 masonobu、 葛飾北齋和廣。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601783579082757, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'ukiyo-e', 'Definition' => 'A japanese word meaning “pictures of the floating world. ” A movement in japanese painting and print making from the 16th to the 19th centuries. Prominent artists were masonobu, hokusai and hiroshige.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'ukiyo-e', )

(object) array( 'id' => '1001973', 'url' => 'ZT/muse_₂', 'image' => '', 'title' => '謬斯女神', 'tags' => array ( 0 => '謬斯女神', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '謬斯女神', 'source_id' => 744616, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408174527', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '系列希臘神祗的美術和其他智慧財產權的追求之一。他們是宙斯和記憶女神 （記憶體） 的女兒。傳統上有九個，但他們的名字和他們的激發在上古各不相同。傳統的清單是畫像裡的英雄史詩 ； 繆斯clio 的歷史 ；euterpe 的長笛 ；歌舞女神的舞蹈和抒情歌詩歌 ；erato 的讚美詩 ；melpomene 的悲劇 ；塔利亞的喜劇 ；polyhymnia 的 mime ；和繆斯女神的天文學。更多一般從上古做我們繼承了繆斯女神激發創造性演出者的想法。地方是繆斯女神被崇拜被稱為博物館 (從希臘 mouseion)。最著名的這些是亞歷山大博物館 — — 重要的是有別于該市的著名圖書館。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601830881394692, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'muse', 'Definition' => 'One of a series greek deities of the fine arts and other intellectual pursuits. They are the daughters of zeus and mnemosyne (memory). There are traditionally nine of them, but their names and what they inspire varied in antiquity. The traditional list is calliope, the muse of heroic epic; clio, of history; euterpe, of the flute; terpsichore, of dance and lyric poetry; erato, of hymns; melpomene, of tragedy; thalia, of comedy; polyhymnia, of mime; and, urania, of astronomy. More generally from antiquity do we inherit the idea that the muses inspire the creative artist. Places were the muses were worshipped were called museums (from the greek mouseion). The most famous of these was the museum of alexandria – importantly distinct from that city’s renowned library.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'muse_₂', )

(object) array( 'id' => '1135133', 'url' => 'ZT/entertainment_promoter', 'image' => '', 'title' => '娛樂宣傳', 'tags' => array ( 0 => '娛樂宣傳', 1 => 'Bars & nightclubs', 2 => 'Nightclub terms', 3 => '', ), 'term' => '娛樂宣傳', 'source_id' => 889023, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Bars & nightclubs', ), 'category' => array ( 0 => 'Nightclub terms', ), 'lastedit' => '20110422142536', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A person or company in the business of marketing and promoting e. G. Concerts/gigs, boxing matches, wrestling events, festivals, raves, nightclubs or other live events.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602441397993477, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'entertainment promoter', 'Definition' => 'A person or company in the business of marketing and promoting e.g. Concerts/gigs, boxing matches, wrestling events, festivals, raves, nightclubs or other live events.', 'Domain' => 'Documentation', 'Industry' => 'Bars & nightclubs', 'Part of Speech' => 'noun', 'Product Category' => 'Nightclub terms', 'Usage Status' => 'New', 'Creation User' => 'cutecee12', 'Creation Date' => '2011/3/17', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'entertainment_promoter', )

(object) array( 'id' => '1130752', 'url' => 'ZT/carpenter_₁', 'image' => '', 'title' => '木匠; 木工', 'tags' => array ( 0 => '木匠; 木工', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '木匠; 木工', 'source_id' => 690259, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421204028', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '木匠 （產生器） 是執行木工熟練 craftsperson。木匠工作用木材建造、 安裝和維護建築物、 傢俱和其他物件。工作可能涉及的體力勞動和戶外工作。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602422295035905, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'carpenter', 'Definition' => 'A carpenter (builder) is a skilled craftsperson who performs carpentry. Carpenters work with timber to construct, install and maintain buildings, furniture, and other objects. The work may involve manual labor and work outdoors.', 'Part of Speech' => 'noun', 'Usage Status' => 'Approved', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/1', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'carpenter_₁', )

(object) array( 'id' => '1130918', 'url' => 'ZT/existing', 'image' => '', 'title' => '現有', 'tags' => array ( 0 => '現有', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => 'Architecture_contemporaine_twgid1296485784889488', ), 'term' => '現有', 'source_id' => 694430, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421223652', 'part_of_speech' => 'other', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '據說是一幢樓的環境或不存在，一個風景目前和建築師已處理。', 'usage_comment' => 'MT', 'glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'width' => 0, 'height' => 0, '_version_' => 1503602422998630405, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'existing', 'Definition' => 'It is said of a building, an environment or a landscape that does exist, is currently present and that the architect has to deal with.', 'Part of Speech' => 'other', 'Usage Status' => 'New', 'Synonym' => 'current_₀', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/2', 'Glossary' => 'Architecture_contemporaine_twgid1296485784889488', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'existing', )

(object) array( 'id' => '1052197', 'url' => 'ZT/frottage', 'image' => '', 'title' => '抹擦法；拓印法', 'tags' => array ( 0 => '抹擦法；拓印法', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '抹擦法；拓印法', 'source_id' => 771063, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413212157', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '超現實主義 automatist 技術開發的 Max Ernst 從 1925 年所作的繪圖中。摹拓品是摩擦的法語單詞。安永的靈感來自古代的木地板，木紋的木板鋪了許多年的洗滌而加劇。仿木紋的模式建議對他奇怪的圖像。他捕捉到這些由鋪設的地板上的紙張和他們然後揉軟鉛筆。結果表明上住著像鳥一樣的生物高尚的神秘森林和恩斯特刊登在 1926 年的這些圖紙集合題為所有奈楚麗 (自然歷史)。他接著，使用範圍更廣的紋理表面和快速適應技術的油畫，它調用 grattage (刮)。在 grattage 畫布準備用一層或更多的漆然後放置在紋理物件，然後刮過去。在安永的森林和鴿子樹似乎已創建的刮了一條魚的骨幹。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602063856107523, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'frottage', 'Company' => 'Tate', 'Definition' => 'Surrealist automatist technique developed by Max Ernst in drawings made from 1925. Frottage is the French word for rubbing. Ernst was inspired by an ancient wooden floor where the grain of the planks had been accentuated by many years of scrubbing. The patterns of the graining suggested strange images to him. He captured these by laying sheets of paper on the floor and then rubbing over them with a soft pencil. The results suggest mysterious forests peopled with bird-like creatures and Ernst published a collection of these drawings in 1926 titled Histoire Naturelle (natural history). He went on to use a wide range of textured surfaces and quickly adapted the technique to oil painting, calling it grattage (scraping). In grattage the canvas is prepared with a layer or more of paint then laid over the textured object which is then scraped over. In Ernst\'s Forest and Dove the trees appear to have been created by scraping over the backbone of a fish.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'frottage', )

(object) array( 'id' => '1005098', 'url' => 'ZT/graphic_₂', 'image' => '', 'title' => '圖像', 'tags' => array ( 0 => '圖像', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '圖像', 'source_id' => 744693, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408235544', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '中的字元，如繪圖，和/或那些特別是線性的圖像通過一個印刷過程 （而不繪），光刻、 蝕刻、 monoprinting 和木刻等。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601845408366594, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'graphic', 'Definition' => 'Images that are especially linear in character, such as drawing, and/or those made through a printing process (rather than painted), such as lithography, etching, monoprinting, and woodcutting.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'graphic_₂', )

(object) array( 'id' => '1004849', 'url' => 'ZT/illusion_₂', 'image' => '', 'title' => '錯覺', 'tags' => array ( 0 => '錯覺', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '錯覺', 'source_id' => 744668, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408224039', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '似乎是什麼不是，而且常常打算這樣欺騙的東西。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601842226987009, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'illusion', 'Definition' => 'Something that appears to be what it is not, and often intended so to deceive.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'illusion_₂', )