(object) array( 'id' => '1135133', 'url' => 'ZT/entertainment_promoter', 'image' => '', 'title' => '娛樂宣傳', 'tags' => array ( 0 => '娛樂宣傳', 1 => 'Bars & nightclubs', 2 => 'Nightclub terms', 3 => '', ), 'term' => '娛樂宣傳', 'source_id' => 889023, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Bars & nightclubs', ), 'category' => array ( 0 => 'Nightclub terms', ), 'lastedit' => '20110422142536', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A person or company in the business of marketing and promoting e. G. Concerts/gigs, boxing matches, wrestling events, festivals, raves, nightclubs or other live events.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602441397993477, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'entertainment promoter', 'Definition' => 'A person or company in the business of marketing and promoting e.g. Concerts/gigs, boxing matches, wrestling events, festivals, raves, nightclubs or other live events.', 'Domain' => 'Documentation', 'Industry' => 'Bars & nightclubs', 'Part of Speech' => 'noun', 'Product Category' => 'Nightclub terms', 'Usage Status' => 'New', 'Creation User' => 'cutecee12', 'Creation Date' => '2011/3/17', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'entertainment_promoter', )

(object) array( 'id' => '1130751', 'url' => 'ZT/bioclimatic', 'image' => '', 'title' => '生物氣候', 'tags' => array ( 0 => '生物氣候', 1 => 'Architecture', 2 => 'Architecture contemporaine', 3 => '', ), 'term' => '生物氣候', 'source_id' => 689916, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Architecture', ), 'category' => array ( 0 => 'Architecture contemporaine', ), 'lastedit' => '20110421204026', 'part_of_speech' => 'adjective', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '生物氣候或綠色大樓 （也稱為綠色施工或可持續建築） 是指一個結構和使用的過程，是對環境負責任和資源效率在整個建築生命週期： 從選址到設計、 施工、 操作、 維修、 改造，以及拆除。這種做法擴大和補充的古典建築的經濟、 實用、 耐用、 舒適的設計問題。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602422295035904, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'bioclimatic', 'Definition' => 'The bioclimatic or green building (also known as green construction or sustainable building) refers to a structure and using process that is environmentally responsible and resource-efficient throughout a building\'s life-cycle: from siting to design, construction, operation, maintenance, renovation, and demolition. This practice expands and complements the classical building design concerns of economy, utility, durability, and comfort.', 'Part of Speech' => 'adjective', 'Usage Status' => 'New', 'Synonym' => 'environmental friendly; breathing; green building_₀', 'Industry' => 'Architecture', 'Product Category' => 'Architecture contemporaine', 'Creation User' => 'Kizsok', 'Creation Date' => '2011/2/1', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'bioclimatic', )

(object) array( 'id' => '1069527', 'url' => 'ZT/print_₆', 'image' => '', 'title' => '打印', 'tags' => array ( 0 => '打印', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '打印', 'source_id' => 771255, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415223019', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '任何方法涉及從一個表面轉移到另一個印象。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602147225239552, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'print', 'Company' => 'Tate', 'Definition' => 'An impression made by any method involving transfer from one surface to another.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'print_₆', )

(object) array( 'id' => '1037553', 'url' => 'ZT/fetish', 'image' => '', 'title' => '物神 迷戀(物) 迷信(物) 盲目崇拜的對象 戀物(引起變態性慾的物體)', 'tags' => array ( 0 => '物神 迷戀(物) 迷信(物) 盲目崇拜的對象 戀物(引起變態性慾的物體)', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '物神 迷戀(物) 迷信(物) 盲目崇拜的對象 戀物(引起變態性慾的物體)', 'source_id' => 744720, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412131138', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '一詞源自葡萄牙水手詞為小拜物的居民的幾內亞海岸，現在指定非理性地尊敬，任何事舉行敬畏、 恐懼或令人興奮的性感受。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601991379582976, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'fetish', 'Definition' => 'A term derived from portuguese sailors’ word for small objects worshipped by inhabitants of the guinea coast, now designating any thing irrationally revered, held in awe or fear, or exciting sexual feelings.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'fetish', )

(object) array( 'id' => '1001914', 'url' => 'ZT/order_₁₈', 'image' => '', 'title' => '秩序', 'tags' => array ( 0 => '秩序', 1 => 'Legal services', 2 => 'Family law', 3 => '', ), 'term' => '秩序', 'source_id' => 744609, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Legal services', ), 'category' => array ( 0 => 'Family law', ), 'lastedit' => '20110408173520', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '一個命令或由一名法官發出的指示。命令可以在寫作或口語。違反法庭命令是非常嚴重和可以導致被關押在藐視法庭或在其他方面的制裁。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601830687408133, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'order', 'Definition' => 'A command or direction given by a judge. An order can be in writing or spoken. Violating a court order is very serious and can result in being held in contempt or sanctioned in other ways.', 'Domain' => 'Documentation', 'Industry' => 'Legal services', 'Part of Speech' => 'noun', 'Product Category' => 'Family law', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'order_₁₈', )

(object) array( 'id' => '1092684', 'url' => 'ZT/regency', 'image' => '', 'title' => '攝政時期風格', 'tags' => array ( 0 => '攝政時期風格', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '攝政時期風格', 'source_id' => 771272, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110418183011', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '臭名遠揚地快樂愛喬治王子，喬治四世，未來 1811 年成為攝政，然後從 1820 年到 1830年登基。詞麗晶酒店往往適用于傢俱和裝飾藝術在這一時期的整個期間普遍存在的樣式。它描繪為元素的古典主義與埃及、 中國和法國洛可哥式的影響相結合。在體系結構中的樣式的範圍體現了納什在他露臺的房子在攝政公園、 倫敦和他為王子建的布里奇頓亭子的東方幻想的古典主義。偉大的畫家在攝政的 （但不是期總體來看，當警員、 布萊克和特納還都在他們的高度的） 是勞倫斯，畫家對國王從 1792 年授予爵位 1815 年，生產技術上經常不足天的領導人物肖像閃閃發光。在漫畫和吉爾雷，和 Rowlandson，也作色情圖畫為王子漫畫中找到的時間的更辛辣意見。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602256352641027, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'regency', 'Company' => 'Tate', 'Definition' => 'The notoriously pleasure-loving Prince George, the future George IV, became Prince Regent in 1811 and then reigned from 1820 to 1830. The term Regency tends to be applied to the style of furniture and decorative art prevalent during the whole of this period. It is characterised by elements of classicism combined with Egyptian, Chinese and French Rococo influences. In architecture the range of the style is exemplified by Nash in the classicism of his terraced houses in Regents Park, London, and the oriental fantasy of his Brighton Pavilion built for the Prince. The great painter of the Regency (but not of the period overall, when Constable, Blake and Turner were all at their height) was Lawrence, Painter to the King from 1792, knighted 1815, who produced glittering but often technically deficient portraits of the leading figures of the day. More pungent views of the time found in cartoons and caricatures of Gillray, and Rowlandson, who also made erotic drawings for the Prince.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'regency', )

(object) array( 'id' => '1210619', 'url' => 'ZT/chewy', 'image' => '', 'title' => '酒質厚重, 濃郁黏稠', 'tags' => array ( 0 => '酒質厚重, 濃郁黏稠', 1 => 'Beverages', 2 => 'Wine', 3 => '', ), 'term' => '酒質厚重, 濃郁黏稠', 'source_id' => 29505, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Wine', ), 'lastedit' => '20110506211008', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '描述豐富、 沉重、 單甯是濃郁的葡萄酒。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602794482892804, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'chewy', 'Definition' => 'Describes rich, heavy, tannic wines that are full-bodied.', 'Part of Speech' => 'noun', 'Industry' => 'Beverages', 'Product Category' => 'Wine', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Creation User' => 'Hvang', 'Creation Date' => '2010/05/21', 'Revision User' => 'Hvang', 'Revision Date' => '2010/05/21', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'chewy', )

(object) array( 'id' => '1042939', 'url' => 'ZT/decadence', 'image' => '', 'title' => '頹廢派', 'tags' => array ( 0 => '頹廢派', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '頹廢派', 'source_id' => 770942, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110412213508', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'Phase or branch of Symbolism in 1880s and 1890s and many artists and writers seen as both. Term came into use 1880s e. G. French journal Le Décadent 1886. Generally refers to extreme manifestations of Symbolism emphasising the spiritual, the morbid and the erotic. Decadents inspired partly by disgust at corruption and rampant materialism of modern world, partly by concomitant desire to escape it into realms of aesthetic, fantastic, erotic, religious. In art key influence from Rossetti and then Burne-Jones. Key artists abroad Khnopff, Moreau, Rops; in Britain Beardsley, Simeon Solomon. Key books Huysmans A Rebours (Against Nature) and Wilde Dorian Gray.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602018438086660, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'decadence', 'Company' => 'Tate', 'Definition' => 'Phase or branch of Symbolism in 1880s and 1890s and many artists and writers seen as both. Term came into use 1880s e.g. French journal Le Décadent 1886. Generally refers to extreme manifestations of Symbolism emphasising the spiritual, the morbid and the erotic. Decadents inspired partly by disgust at corruption and rampant materialism of modern world, partly by concomitant desire to escape it into realms of aesthetic, fantastic, erotic, religious. In art key influence from Rossetti and then Burne-Jones. Key artists abroad Khnopff, Moreau, Rops; in Britain Beardsley, Simeon Solomon. Key books Huysmans A Rebours (Against Nature) and Wilde Dorian Gray.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'decadence', )

(object) array( 'id' => '1002728', 'url' => 'ZT/mezzotint_₂', 'image' => '', 'title' => '網線銅版(術)', 'tags' => array ( 0 => '網線銅版(術)', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '網線銅版(術)', 'source_id' => 744630, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110408183254', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'An intaglio printmaking method of engraving a copper or steel plate by scraping and pitting it with finely edged and pointed tools to produce graduated grey shades for the depiction of light and shadow. It was widely used in the eighteenth century, but like many older print methods has been superseded by photography.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601833826844674, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'mezzotint', 'Definition' => 'An intaglio printmaking method of engraving a copper or steel plate by scraping and pitting it with finely edged and pointed tools to produce graduated grey shades for the depiction of light and shadow. It was widely used in the eighteenth century, but like many older print methods has been superseded by photography.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'mezzotint_₂', )

(object) array( 'id' => '1048709', 'url' => 'ZT/Art_&_Language', 'image' => '', 'title' => '藝術暨語言團體', 'tags' => array ( 0 => '藝術暨語言團體', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '藝術暨語言團體', 'source_id' => 771013, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413144425', 'part_of_speech' => 'proper noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'A pioneering Conceptual art group founded in Coventry, England, in 1968. The four founder members were Michael Baldwin, David Bainbridge, Terry Atkinson and Harold Hurrell. The critic and art historian Charles Harrison and the artist Mel Ramsden both became associated in 1970. In A Provisional History of Art & Language, Charles Harrison and Fred Orton record that between 1968 and 1982, up to fifty people were associated in some way with the activities around the name Art & Language and they identified three main phases of the group—the early years, up to 1972, which chiefly found public expression in the publication Art Language; a middle period divided between New York and England and linked to the publication of the journal The Fox (discontinued in 1976); the period since 1977, during which paintings have been produced. In that period, Art & Language has mainly concerned three people, the artists Michael Baldwin and Mel Ramsden, and the critic Charles Harrison. From the beginning, Art & Language questioned the critical assumptions of mainstream modern art practice and criticism. Much of their early work consisted of detailed discussion of these issues presented in their journal or in an art gallery context. However they also made exemplary works of Conceptual art such as Map Not to Indicate of 1967. The paintings they have made since 1977 examine the critical issues that concern them through the actual practice of painting. For a more detailed account of Art & Language see the Full Catalogue text for the work Gustave Courbet\'s `Burial at Ornans\'; Expressing a Sensuous Affection. . . /Expressing a Vibrant Erotic Vision. . . /Expressing States of Mind that are Vivid and Compelling.', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602048212402178, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Art & Language', 'Company' => 'Tate', 'Definition' => 'A pioneering Conceptual art group founded in Coventry, England, in 1968. The four founder members were Michael Baldwin, David Bainbridge, Terry Atkinson and Harold Hurrell. The critic and art historian Charles Harrison and the artist Mel Ramsden both became associated in 1970. In A Provisional History of Art & Language, Charles Harrison and Fred Orton record that between 1968 and 1982, up to fifty people were associated in some way with the activities around the name Art & Language and they identified three main phases of the group—the early years, up to 1972, which chiefly found public expression in the publication Art Language; a middle period divided between New York and England and linked to the publication of the journal The Fox (discontinued in 1976); the period since 1977, during which paintings have been produced. In that period, Art & Language has mainly concerned three people, the artists Michael Baldwin and Mel Ramsden, and the critic Charles Harrison. From the beginning, Art & Language questioned the critical assumptions of mainstream modern art practice and criticism. Much of their early work consisted of detailed discussion of these issues presented in their journal or in an art gallery context. However they also made exemplary works of Conceptual art such as Map Not to Indicate of 1967. The paintings they have made since 1977 examine the critical issues that concern them through the actual practice of painting. For a more detailed account of Art & Language see the Full Catalogue text for the work Gustave Courbet\'s `Burial at Ornans\'; Expressing a Sensuous Affection. . . /Expressing a Vibrant Erotic Vision. . . /Expressing States of Mind that are Vivid and Compelling.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'proper noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Art_&_Language', )