(object) array( 'id' => '1210620', 'url' => 'ZT/cigar_box', 'image' => '', 'title' => '雪茄盒味', 'tags' => array ( 0 => '雪茄盒味', 1 => 'Beverages', 2 => 'Wine', 3 => '', ), 'term' => '雪茄盒味', 'source_id' => 29506, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Wine', ), 'lastedit' => '20110506211009', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '另一個描述項 cedary 的香氣。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602794483941376, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'cigar box', 'Definition' => 'Another descriptor for a cedary aroma.', 'Part of Speech' => 'noun', 'Industry' => 'Beverages', 'Product Category' => 'Wine', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Creation User' => 'Hvang', 'Creation Date' => '2010/05/21', 'Revision User' => 'Hvang', 'Revision Date' => '2010/05/21', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'cigar_box', )

(object) array( 'id' => '1037555', 'url' => 'ZT/facture', 'image' => '', 'title' => '製作', 'tags' => array ( 0 => '製作', 1 => 'Art history', 2 => 'Visual arts', 3 => '', ), 'term' => '製作', 'source_id' => 744722, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'Visual arts', ), 'lastedit' => '20110412131142', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '描述的方式在其中一幅畫，特別是關於其表面品質的通過法語單詞，因此處理的油漆。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601991379582978, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'facture', 'Definition' => 'An adopted french word for describing the manner in which a painting is made, especially concerning the quality of its surface, and hence of the handling of the paint.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'Visual arts', 'Usage Status' => 'New', 'Creation User' => 'Gabrielle Tait', 'Creation Date' => '2011/2/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'facture', )

(object) array( 'id' => '1061311', 'url' => 'ZT/luminism', 'image' => '', 'title' => '光色主義', 'tags' => array ( 0 => '光色主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '光色主義', 'source_id' => 771119, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110414202545', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '術語含義大致，繪畫的光。特別應用於美國風景畫家的哈德遜河學校從約 1830年-70。他們的繪畫的許多主要是激烈和經常劇烈的燈光效果。在英國的藝術形式的 Luminism 是惠斯勒的夜曲的基礎。有時應用於新繪畫的 Divisionist 技術導致全身明顯的亮度。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602107217870850, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'luminism', 'Company' => 'Tate', 'Definition' => 'Term meaning roughly, painting of light. Applied specifically to American landscape painters of the Hudson River School from about 1830-70. Many of their paintings were dominated by intense and often dramatic light effects. In British art a form of Luminism underlies Whistler\'s \'Nocturnes\'. Sometimes applied to Neo-Impressionist paintings in which the Divisionist technique leads to a marked all over luminosity.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'luminism', )

(object) array( 'id' => '1196507', 'url' => 'ZT/aperitif', 'image' => '', 'title' => '開胃酒', 'tags' => array ( 0 => '開胃酒', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '開胃酒', 'source_id' => 103821, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110504092523', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '法國一詞指的輕型的酒精飲料，採取前一頓飯，刺激食欲。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602726899023872, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'aperitif', 'Definition' => 'A French term referring to a light alcoholic drink taken before a meal to stimulate appetite.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'aperitif', )

(object) array( 'id' => '1121323', 'url' => 'ZT/vorticism', 'image' => '', 'title' => '漩渦主義; 漩渦畫派', 'tags' => array ( 0 => '漩渦主義; 漩渦畫派', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '漩渦主義; 漩渦畫派', 'source_id' => 771343, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110420205009', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'Vorticists 是由演出者、 作家和出神入化，溫德姆 · 路易斯在 1914 年在倫敦成立英國前衛組。他們唯一組展在倫敦舉行了第二年。Vorticism 發起了第一期 （兩個） 雜誌爆炸，除其他材料兩個侵略宣言所載的由路易斯 \'爆破\' 他被認為是英國的藝術與文化的基於和宣佈 Vorticist 審美： \' 新渦陡降至目前的心 \'我們產生一個新的生活抽象\'。Vorticist 畫結合立體主義的現實的碎片與硬邊意象來自機器和城市的環境，用於創建高度有效運算式 Vorticists 意識的現代世界的活力。它實際上是相當於英國的向未來主義，雖然與教義差異和路易斯是未來學家到深深的敵意。其他演出者是勞倫斯 · 阿特金森、 潔西嘉 Dismorr、 卡斯伯特漢密爾頓、 威廉 · 羅伯茨、 海倫 · 桑德斯、 愛德華沃茲沃思和雕塑家雅各 · 愛潑斯坦和亨利 Gaudier-Brzeska。大衛 · 邦貝格正式不是組的成員，但生產在相似的樣式主要工作。第一次世界大戰帶來 Vorticism 為目的，雖然在 1920 年路易斯作出簡短試圖恢復它與組 X。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602380905644034, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'vorticism', 'Company' => 'Tate', 'Definition' => 'The Vorticists were a British avant-garde group formed in London in 1914 by the artist, writer and polemicist, Wyndham Lewis. Their only group exhibition was held in London the following year. Vorticism was launched with the first issue (of two) of the magazine Blast which contained among other material two aggressive manifestos by Lewis \'blasting\' what he considered to be the effeteness of British art and culture and proclaiming the Vorticist aesthetic: \'The New Vortex plunges to the heart of the Present\' we produce a New Living Abstraction\'. Vorticist painting combines Cubist fragmentation of reality with hard-edged imagery derived from the machine and the urban environment, to create a highly effective expression of the Vorticists sense of the dynamism of the modern world. It was in effect a British equivalent to Futurism, although with doctrinal differences, and Lewis was deeply hostile to the Futurists. Other artists were Lawrence Atkinson, Jessica Dismorr, Cuthbert Hamilton, William Roberts, Helen Saunders, Edward Wadsworth, and the sculptors Jacob Epstein and Henri Gaudier-Brzeska. David Bomberg was not formally a member of the group but produced major work in a similar style. The First World War brought Vorticism to an end, although in 1920 Lewis made a brief attempt to revive it with Group X.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'vorticism', )

(object) array( 'id' => '1068152', 'url' => 'ZT/new_spirit_painting', 'image' => '', 'title' => '新精神繪畫', 'tags' => array ( 0 => '新精神繪畫', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '新精神繪畫', 'source_id' => 771170, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110415192129', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '這個術語是幾乎等同于 Neo-Expressionism 和新之和 Transavanguardia 及其子組。一種新精神在繪畫中是主要展覽在倫敦皇家學院于 1981 年的標題。它試圖總結的繪畫在此時狀態。它是早期回應新潮流，在繪畫和雕塑出現在 1980 年左右，並擔任帶到公眾注意這些事態發展的據點。一詞新精神繪畫成為了特別是在英國，使用，很有用，因為它還包含了相當舒服地不適合入的 Neo-Expressionism，類別，如美國畫家大衛喇沙和艾瑞克菲謝爾和英國寶拉瑞金、 斯蒂芬 · 麥克納、 斯蒂芬 · 坎貝爾或抽象派畫家肖恩史高麗的新的繪畫在當時各方面。在英國特別是重建的興趣，在八十年代初期，尤其是比喻繪畫繪畫、 帶入新的焦點如霍華德霍奇金，以及那些經常被稱為倫敦學校老演出者的作品。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602141213753345, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'new spirit painting', 'Company' => 'Tate', 'Definition' => 'This term is virtually synonymous with Neo-Expressionism and its sub groups of Neue Wilden and Transavanguardia. A New Spirit in Painting was the title of a major exhibition at the Royal Academy in London in 1981. It attempted to sum up the state of painting at that point. It was an early response to the new currents that appeared in both painting and sculpture around 1980, and acted as a launchpad that brought these developments to public attention. The term New Spirit Painting became used particularly in Britain, and is useful in that it also embraces aspects of new painting at that time that do not fit quite comfortably into the category of Neo-Expressionism, such as the American painters David Salle and Eric Fischl and in Britain Paula Rego, Stephen McKenna, Stephen Campbell or the abstract painter Sean Scully. In Britain particularly, the renewal of interest in painting in the early 1980s, especially figurative painting, brought into fresh focus the work of older artists such as Howard Hodgkin as well as those often called the School of London.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'new_spirit_painting', )

(object) array( 'id' => '991517', 'url' => 'ZT/faience', 'image' => '', 'title' => '彩陶', 'tags' => array ( 0 => '彩陶', 1 => 'Arts & crafts', 2 => 'Ceramics', 3 => '', ), 'term' => '彩陶', 'source_id' => 367744, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Arts & crafts', ), 'category' => array ( 0 => 'Ceramics', ), 'lastedit' => '20110407193838', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => ' Style of tin glazed earthenware produced in Europe.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601783099883525, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Definition' => 'Widely used (and misused) term referring to any earthenware pottery glazed with an opaque glaze (usually white) and overglaze decoration.', 'Part of Speech' => 'noun', 'Industry' => 'Arts & crafts', 'Product Category' => 'Ceramics', 'Product' => '', 'Company' => '', 'Other Reference' => '', 'Pronunciation' => '', 'Creation User' => 'MaryK', 'Creation Date' => '2013/6/25', 'Source Lang' => '1180', 'Term' => 'faience', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'faience', )

(object) array( 'id' => '1092720', 'url' => 'ZT/romanticism_₃', 'image' => '', 'title' => '浪漫主義', 'tags' => array ( 0 => '浪漫主義', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '浪漫主義', 'source_id' => 771282, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110418185018', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => 'Term in use by 1812 (e. G. By poet Coleridge) to distinguish new forms of art and literature from classical tradition. Romantic art placed new emphasis on human psychology and expression of personal feeling and on interest in and response to natural world. This complex shift in artistic attitudes at height from about 1780 to 1830 but influence continuing long after. Overall characteristic a new emotionalism in contrast to prevailing ideas of classical restraint. In British art embraced new responses to nature in art of Constable and Turner as well as new approaches to human history, man\'s place in the cosmos and relationship to God, examined in work of Blake. Other significant painters of history subjects were Fuseli, Barry and Mortimer. Later phases of Romantic movement in Britain embrace Pre-Raphaelites and Symbolism.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602256545579010, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'romanticism', 'Company' => 'Tate', 'Definition' => 'Term in use by 1812 (e.g. By poet Coleridge) to distinguish new forms of art and literature from classical tradition. Romantic art placed new emphasis on human psychology and expression of personal feeling and on interest in and response to natural world. This complex shift in artistic attitudes at height from about 1780 to 1830 but influence continuing long after. Overall characteristic a new emotionalism in contrast to prevailing ideas of classical restraint. In British art embraced new responses to nature in art of Constable and Turner as well as new approaches to human history, man\'s place in the cosmos and relationship to God, examined in work of Blake. Other significant painters of history subjects were Fuseli, Barry and Mortimer. Later phases of Romantic movement in Britain embrace Pre-Raphaelites and Symbolism.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'romanticism_₃', )

(object) array( 'id' => '1050777', 'url' => 'ZT/Federal_Art_Project', 'image' => '', 'title' => '公共事業振興署聯邦藝術計畫', 'tags' => array ( 0 => '公共事業振興署聯邦藝術計畫', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => '公共事業振興署聯邦藝術計畫', 'source_id' => 771051, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20110413170116', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '代表 （工程進度管理） 聯邦藝術專案。美國政府的方案，給失業演出者在 1930 年代的大蕭條期間的工作。它是繼承的一個藝術方案成立了，美國總統羅斯福新政政策下，打擊經濟大蕭條。1933 年他建立了藝術公共工程專案，在五個月雇用 3,749 演出者製作為公共機構 15,633 的藝術作品。圖片預計將美國場面但否則演出者得到完全的自由。從 1934年-43 畫庫務科和雕塑雇用了演出者，以創建繪畫、 壁畫和雕塑為點綴的聯邦大樓。從 1935年-39，財政部也跑了一個平行的計畫，財政部救濟藝術基金。聯邦的藝術專案，由工程進度管理，管理從 1935年-43 跑了，並且在一年內開始還雇用了一些 5,500 演出者、 教師、 設計師、 工匠、 攝影師和研究人員。一些最重要的作品出來這些專案的是由墨西哥 Muralists 的例子啟發的公共建築中的壁畫。這些方案給美國藝術了一枝強心針，並非最不重要，提高士氣的演出者，現在考慮在美國藝術後已在創造力的爆炸中的一個關鍵因素第二次世界大戰 （見抽象表現主義）。泰有沒有從聯邦藝術專案工程本身。在這裡說明了是由演出者從事 FAP 的後期作品。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602058279780353, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'Federal Art Project', 'Company' => 'Tate', 'Definition' => 'Stands for (Works Progress Administration) Federal Art Project. An American government programme to give work to unemployed artists during the Great Depression of the 1930s. It was one of a succession of art programmes set up under the American President Roosevelt\'s New Deal policy to combat the Depression. In 1933 he set up the Public Works of Art Project which in five months employed 3,749 artists who produced 15,633 works of art for public institutions. Pictures were expected to be American scenes but otherwise artists were given complete freedom. From 1934-43 the Treasury Section of Painting and Sculpture employed artists to create paintings, murals and sculpture for the embellishment of federal buildings. From 1935-39 the Treasury also ran a parallel scheme, the Treasury Relief Art Fund. The Federal Art Project, administered by the Works Progress Administration, ran from 1935-43 and within a year of the start was employing some 5,500 artists, teachers, designers, craftsmen, photographers and researchers. Some of the most important works that came out of these projects were murals in public buildings inspired by the example of the Mexican Muralists. These programmes gave an enormous boost to art in America, not least by raising the morale of artists and are now considered to have been a crucial factor in the explosion of creativity in American art following the Second World War (see Abstract Expressionism). Tate has no works from the Federal Art Project itself. Illustrated here are later works by artists who worked on the FAP.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Federal_Art_Project', )

(object) array( 'id' => '1135932', 'url' => 'ZT/bottled-in-bond_whiskey', 'image' => '', 'title' => '保稅威士忌', 'tags' => array ( 0 => '保稅威士忌', 1 => 'Beverages', 2 => 'Distilled liquor', 3 => '', ), 'term' => '保稅威士忌', 'source_id' => 103686, 'type' => 'term', 'namespace' => 1990, 'nstext' => 'ZT', 'industry' => array ( 0 => 'Beverages', ), 'category' => array ( 0 => 'Distilled liquor', ), 'lastedit' => '20110422161552', 'part_of_speech' => 'noun', 'creation_user' => 'Siaoning', 'special_term' => '', 'definition' => '直威士卡，通常是波旁威士卡或黑麥，在政府的控制和監督下生產。保稅的威士卡必須至少四歲，在 100 證明瓶裝和在通過同一蒸餾器一個蒸餾生產。它必須進行排序和瓶裝在粘接倉庫。', 'usage_comment' => 'MT', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503602444356026372, 'nstext_full' => 'Chinese, Traditional (ZT)', 's_attr' => (object) array( 'Term' => 'bottled-in-bond whiskey', 'Definition' => 'Straight whiskey, usually bourbon or rye, produced under government control and supervision. Bonded whiskey must be at least four years old, bottled at 100 proof and produced in one distilling by the same distiller. It must be sorted and bottled at a bonding warehouse.', 'Part of Speech' => 'noun', 'Domain' => 'Documentation', 'Usage Status' => 'New', 'Industry' => 'Beverages', 'Product Category' => 'Distilled liquor', 'Creation User' => 'Donhp', 'Creation Date' => '2010/7/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'bottled-in-bond_whiskey', )