(object) array( 'id' => '8855043', 'url' => 'ES/Tapieté', 'image' => '', 'title' => 'Tapieté', 'tags' => array ( 0 => 'Tapieté', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Tapieté', 'source_id' => 1860507, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150115082003', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El tapieté es un subdialecto del Guaraní oriental boliviano hablado por 33 paraguayos (pertenecientes a un grupo étnico formado por entre 513 y 1519 personas), 100 argentinos y 70 bolivianos. También se conoce como Guasurango, Guasurangue, Tirumbae, Yanaigua, Ñanagua y Nandeva.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636920726454274, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Tapieté', 'Definition' => 'Tapieté is a subdialect of Eastern Bolivian Guaraní spoken by 33 Paraguayans (Out of an ethnic group numbering 513 to 1,519), 100 Argentines, and 70 Bolivians. It is also known as Guasurango, Guasurangue, Tirumbae, Yanaigua, Ñanagua, and Nandeva.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Tapieté', )

(object) array( 'id' => '909654', 'url' => 'ES/acrylic_paint_₂', 'image' => '', 'title' => 'Pintura acrílica', 'tags' => array ( 0 => 'Pintura acrílica', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => 'Pintura acrílica', 'source_id' => 771033, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20140924052151', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es una dispersión de pigmentos en una resina sintética que se obtiene de acrilatos y metacrilatos. La pintura acrílica se seca cuando el vehículo líquido se evapora y las cadenas del polímero resultantes se deforman y se unen para formar la película de pintura. Al contrario de la creencia general de que la pintura acrílica se seca muy rápido, las aplicaciones gruesas pueden tardar meses o incluso años en secarse completamente. Las primeras obras artísticas con pintura acríclica se realizaron en la década de 1950, utilizando poliresina (Metacrilato de n-butilo) disuelta en disolventes (aguarrás o trementina) con pigmentos y otros componentes secundarios. El siguiente tipo, desarrollado en la década de 1960, fue la pintura de emulsión acrílica que sigue siendo tan popular hoy en día. Esta se diluye (y los pinceles se limpian) en agua. Sin embargo, una vez seca, la película de pintura es resistente al agua.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601431633985537, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'acrylic paint', 'Company' => 'Tate', 'Definition' => 'A dispersion of pigments in a synthetic acrylic resin produced from acrylates and/or methacrylates. Acrylic paint dries as the liquid vehicle evaporates, and the resulting polymer-chains then deform and coalesce to form the paint film. While acrylic paints are generally thought to be very fast drying, thick applications may take months or even years to fully dry. Artist acrylic paints were first made in the 1950s using poly (n butyl methacrylate) resin dissolved in solvent (mineral spirits or turpentine) with pigments and other minor components. The next type developed in the 1960s was the acrylic emulsion paint that remains so popular today. These are thinned (and brushes cleaned) using water; however, once dry, the paint films are water-resistant.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'acrylic_paint_₂', )

(object) array( 'id' => '8522469', 'url' => 'ES/abstract_right', 'image' => '', 'title' => 'Derecho abstracto', 'tags' => array ( 0 => 'Derecho abstracto', 1 => 'Philosophy', 2 => 'Western philosophy', 3 => '', ), 'term' => 'Derecho abstracto', 'source_id' => 1875502, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Philosophy', ), 'category' => array ( 0 => 'Western philosophy', ), 'lastedit' => '20141202033802', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es el primer capítulo de la Filosofía del Derecho de Hegel, que defiende que el derecho abstracto en la única voluntad inherente de un sujeto que hace frente al mundo exterior. Por lo tanto, el imperativo del derecho es "Sé una persona y respeta como persona a los demás". Por lo que tener derechos es parte fundamental de ser una persona. Una cosa, al carecer de voluntad, no tiene derechos frente a la subjetividad de la inteligencia y la voluntad. Según Hegel, la expresión más básica de derecho es el hecho de conceder particularidad de derecho en forma de cosas, por ejemplo, en forma de propiedad y posesión.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503635463032799232, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'abstract right', 'Definition' => 'The first chapter of Hegel\'s Philosophy of Right, it states that abstract right is the inherently single will of a subject confronting an external world. Hence the imperative of right is “be a person and respect others as persons.” So having rights is at the very root of being a person; a thing, as something devoid of will, has no rights against the subjectivity of intelligence and volition The most fundamental expression of right, according to Hegel, is the giving of particularity to right in the form of a thing, i.e. in the form of property and possession.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Philosophy', 'Product Category' => 'Western philosophy', 'Creation User' => 'Nemertean', 'Creation Date' => '2012/1/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'abstract_right', )

(object) array( 'id' => '8855788', 'url' => 'ES/Lapachu', 'image' => '', 'title' => 'Lapachu', 'tags' => array ( 0 => 'Lapachu', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Lapachu', 'source_id' => 1860515, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150116022644', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El idioma lapuchu, también conocido como apolista, es un idioma extinto perteneciente a la familia lingüística arahuacana de Bolivia. Aikhenvald (1999) lo clasifica junto con el Terena, Moxos y otros idiomas relacionados. De las descripciones que quedan, no se obtiene una conclusión clara acerca de si era un idioma o dos.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636923857502208, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Lapachu', 'Definition' => 'Lapachu, also known as Apolista, is an extinct Arawakan language of Bolivia. Aikhenvald (1999) classifies it together with Terena, Moxos, and related languages. It is not clear from surviving descriptions whether it was one language or two.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Lapachu', )

(object) array( 'id' => '8856420', 'url' => 'ES/Kagwahiva', 'image' => '', 'title' => 'Kagwahiva', 'tags' => array ( 0 => 'Kagwahiva', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Kagwahiva', 'source_id' => 1860586, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150119035602', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El kagwahiva (kawahíb o kagwahibm) es un grupo de dialectos tupí-guaraní de Brasil. La variedad más importante es el tenharim (tenharem o tenharin). Los miembros de los grupos étnicos Tenharim, Parintintín, Amondawa, Uru-eu-wau-wau, Júma y Karipuná se autodenominan Kavahiva. Sus dialectos están muy relacionados entre ellos y también con otras lenguas ya extintas.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636926336335877, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Kagwahiva', 'Definition' => 'Kagwahiva (Kawahíb, Kagwahibm) is a Tupi–Guarani dialect cluster of Brazil. The major variety is Tenharim (Tenharem, Tenharin). The Tenharim, Parintintín, Amondawa, Uru-eu-wau-wau, Júma, and Karipuná peoples all call themselves Kavahiva. Their speech is all very similar, and also similar with other languages now extinct.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Kagwahiva', )

(object) array( 'id' => '8206019', 'url' => 'ES/Inari_Sámi', 'image' => '', 'title' => 'Sami de Inari', 'tags' => array ( 0 => 'Sami de Inari', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Sami de Inari', 'source_id' => 1859174, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20141017061901', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El sami de inari es una lengua sami, perteneciente al grupo de lenguas urálicas, hablada por las personas de Inari, en Finladia. Tiene aproximadamente 300 hablantes, la mayor parte de los cuales son de edad media o avanzada y viven en la municipalidad de Inari. Según el Parlamento Sami de Finlandia, 269 personas tienen el sami de inari como su lengua materna. Es la única lengua sami que se habla exclusivamente en Finlandia. Esta lengua está en grave peligro de extinción, ya que pocos niños la aprenden.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503634044432154627, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Inari Sámi', 'Definition' => 'Inari Sámi is a Uralic, Sami language spoken by the Inari Sami of Finland. It has approximately 300 speakers, the majority of whom are middle-aged or older and live in the municipality of Inari. According to the Sami Parliament of Finland 269 persons used Inari Sami as their first language. It is the only Sami language that is spoken exclusively in Finland. The language is classified as being seriously endangered as few children learn the language.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/3', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Inari_Sámi', )

(object) array( 'id' => '909676', 'url' => 'ES/chiaroscuro_₄', 'image' => '', 'title' => 'claroscuro', 'tags' => array ( 0 => 'claroscuro', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => 'claroscuro', 'source_id' => 770967, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20141016061302', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'En italiano "chiaroscuro", es un término italiano que se emplea como tal en inglés. Se traduce como claroscuro, y se refiere al balance entre claros y oscuros en una pintura o un dibujo. Esta técnica solo se destaca cuando es una característica principal de la obra, normalmente cuando el autor emplea contrastes extremos de luces y sombras.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601431640276996, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'chiaroscuro', 'Company' => 'Tate', 'Definition' => 'Italian term used in that form in English. It translates as light-dark, and refers to the balance and pattern of light and shade in a painting or drawing. Chiaroscuro is generally only remarked upon when it is a particularly prominent feature of the work, usually when the artist is using extreme contrasts of light and shade.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'chiaroscuro_₄', )

(object) array( 'id' => '8572309', 'url' => 'ES/Michif', 'image' => '', 'title' => 'Michif', 'tags' => array ( 0 => 'Michif', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Michif', 'source_id' => 1859214, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20141208082810', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El idioma michif es la lengua del pueblo Métis de Canadá y Estados Unidos, descendientes de mujeres de las primeras naciones (principalmente Cree, Nakota y Ojibwe) y trabajadores del comercio de pieles de ascendencia europea (sobre todo francocanadienses y canadienses de origen escocés). Hoy en dia, el idioma michif se habla en comunidades Métis dispersas en las provincias de Saskatchewan y Manitoba (Canadá) y Dakota del Norte (Estados Unidos).', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503635687977517060, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Michif', 'Definition' => 'Michif is the language of the Métis people of Canada and the United States, who are the descendants of First Nations women (mainly Cree, Nakota and Ojibwe) and fur trade workers of European ancestry (mainly French Canadians and Scottish Canadians). Nowadays Michif is spoken in scattered Métis communities in the provinces of Saskatchewan and Manitoba in Canada and in North Dakota in the U.S.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/3', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Michif', )

(object) array( 'id' => '8856143', 'url' => 'ES/Itonama', 'image' => '', 'title' => 'Itonama', 'tags' => array ( 0 => 'Itonama', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Itonama', 'source_id' => 1860568, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150119030702', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El itonama es una lengua aislada al borde de la extinción hablada en las llanuras de la amazonia del noreste de Bolivia. Greenberg (1987) clasificó este idioma como parte de la familia paezana, una rama del macro-chibcha, pero esta teoría sigue sin demostrarse, por lo que esta lengua se considera aislada o no clasificada.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636925261545472, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Itonama', 'Definition' => 'Itonama is a moribund language isolate spoken in the Amazonian lowlands of north-eastern Bolivia. Greenberg’s (1987) classification of Itonama as Paezan, a sub-branch of Macro-Chibchan, remains unsupported and Itonama continues to be considered an isolate or unclassified language.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Itonama', )

(object) array( 'id' => '724135', 'url' => 'ES/trick-or-treat', 'image' => '', 'title' => 'Truco o trato', 'tags' => array ( 0 => 'Truco o trato', 1 => 'Festivals', 2 => 'Halloween', 3 => '', ), 'term' => 'Truco o trato', 'source_id' => 402769, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Festivals', ), 'category' => array ( 0 => 'Halloween', ), 'lastedit' => '20150116023444', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Probablemente, truco o trato es la actividad para niños más importante de Halloween. Cada año, los niños esperan con ilusión a que llegue Halloween para poder disfrazarse e ir de puerta en puerta pidiendo dulces y golosinas. Cuando el inquilino abra la puerta, los niños harán la siguiente pregunta: "¿Truco o trato?". Esta frase implica (en sentido figurado) que si los niños no reciben golosinas, los dueños de la casa o su propiedad pueden ser objeto de travesuras.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503600584666644483, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'trick-or-treat', 'Definition' => 'Trick-or-treat is perhaps the most important activity for children on Halloween. Children look forward to the time of Halloween each year so they can dress up in costumes and go from house to house to ask for treats such as candy or other treats. The children will post the question "trick or treat?" when the host of a house opens the door. The phrase implies (figuratively) that if no treat is given, the children may cause mischief to the homeowners or their property.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Festivals', 'Product Category' => 'Halloween', 'Domain' => 'Documentation; Marketing', 'Creation User' => 'Dscott', 'Creation Date' => '2010/10/24', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'trick-or-treat', )