(object) array( 'id' => '8524598', 'url' => 'ES/fallacy_of_accident', 'image' => '', 'title' => 'Falacia del accidente', 'tags' => array ( 0 => 'Falacia del accidente', 1 => 'Philosophy', 2 => 'Western philosophy', 3 => '', ), 'term' => 'Falacia del accidente', 'source_id' => 1875517, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Philosophy', ), 'category' => array ( 0 => 'Western philosophy', ), 'lastedit' => '20141202095402', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'La falacia que confunde el accidente y las caracterísitcas esenciales de una cosa, por lo que cuando se afirma lo accidental de una cosa también se aplica al sujeto en sí.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503635472251879427, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'fallacy of accident', 'Definition' => 'The fallacy that confuses the accidental and essential characteristics of a thing, so that what is affirmed of something as adventitious to a thing is also applied to the subject itself.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Philosophy', 'Product Category' => 'Western philosophy', 'Creation User' => 'Nemertean', 'Creation Date' => '2012/1/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'fallacy_of_accident', )

(object) array( 'id' => '8572091', 'url' => 'ES/Haisla', 'image' => '', 'title' => 'Haisla', 'tags' => array ( 0 => 'Haisla', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Haisla', 'source_id' => 1859203, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20141208075202', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'La lengua Haisla es una lengua de las Naciones originarias hablada por la tribu haisla, habitante de la costa norte de la región de Columbia Británica (Canadá) y cuya población reside principalmente en el pueblo Kitaamat, a 10 km de la ciudad de Kitimat. Haisla es una lengua wakashana (Kwakiutlano) del norte hablada por varios centenares de personas. Geográficamente, es la más septentrional de las lenguas wakashanas. Su lengua wakashana más cercana es el idioma Oowekyala. La Haisla está relacionada con las otras lenguas wakashanas septentrionales, Oowekyala, Heiltsuk y Kwak\'wala. La lengua Haisla tiene dos dialectos, a veces definidos como sublenguajes, el Kitamaat y el Kitlope.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503635687162773508, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Haisla', 'Definition' => 'The Haisla language is a First Nations language spoken by the Haisla people of the North Coast region of the Canadian province of British Columbia, who are based in the village of Kitaamat 10 km from the town of Kitimat. Haisla is a Northern Wakashan (Kwakiutlan) language spoken by several hundred people. Haisla is geographically the northernmost Wakashan language. Its nearest Wakashan neighbor is Oowekyala. Haisla is related to the other North Wakashan languages, Oowekyala, Heiltsuk, and Kwak\'wala. The Haisla language consists of two dialects, sometimes defined as sublanguages – Kitamaat and Kitlope.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/3', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Haisla', )

(object) array( 'id' => '8854471', 'url' => 'ES/Ona', 'image' => '', 'title' => 'Ona', 'tags' => array ( 0 => 'Ona', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Ona', 'source_id' => 1860499, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150115063202', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El idioma Ona, también conocido como selk\'nam (Shelknam), era una lengua hablada por el pueblo selk\'nam en la Isla Grande de Tierra del Fuego, en el extremo sur de Sudamérica. En 1991 quedaban únicamente entre 1 y 3 hablantes. Las estimaciones realizadas en 2000 consideran este idioma como "probablemente extinto".', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636916311949315, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Ona', 'Definition' => 'Ona (Aona), also known as Selk\'nam (Shelknam), is a language that was once spoken by the Selknam people in Isla Grande de Tierra del Fuego in southernmost South America. As of 1991 there were 1-3 speakers left. 2000 estimates place it as "probably extinct."', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Ona', )

(object) array( 'id' => '8205983', 'url' => 'ES/golden_hour', 'image' => '', 'title' => 'la hora dorada', 'tags' => array ( 0 => 'la hora dorada', 1 => 'Photography', 2 => 'Photography techniques', 3 => '', ), 'term' => 'la hora dorada', 'source_id' => 1510120, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Photography', ), 'category' => array ( 0 => 'Photography techniques', ), 'lastedit' => '20141017032713', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'La hora dorada hace referencia a las primeras y últimas horas de luz de un día. En estas horas, la luz es más suave y las sombras son más largas. Las fotografías hechas en estas horas suelen tener unos tintes morados y naranjas.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503634044304228354, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'golden hour', 'Definition' => 'The golden hour refers to the first and last hours of sunlight in a day. During this time, lighting is softer and shadows are longer. Pictures taken during this period of time will often have a purple and orange tint to them.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Photography', 'Product Category' => 'Photography techniques', 'Creation User' => 'Adam.ONeill', 'Creation Date' => '2011/8/11', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'golden_hour', )

(object) array( 'id' => '909518', 'url' => 'ES/edition_₄', 'image' => '', 'title' => 'Edición', 'tags' => array ( 0 => 'Edición', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => 'Edición', 'source_id' => 770928, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20140924033202', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es una serie de impresiones idénticas de la misma superficie de impresión. Desde finales del siglo XIX, el número de impresiones producidas ha sido limitado y normalmente se declaran "edición limitada". Anteriormente se producían tantas impresiones como permitiera el proceso. Las impresiones de artistas modernos están normalmente limitadas a un número determinado que puede estar entre dos y mil o más. En ocasiones, la cantidad viene determinada por el proceso, ya que la plancha se desgasta, pero normalmente está limitada por el artista o el editor, en cuyo caso la superficie de impresión se suele destruir. Las imporesiones de edición suelen estar firmadas, numeradas y datadas por el artista. Una edición de 25 impresiones se numerará 1/25, 2/25, etc. Estas suelen ir acompañadas de un número de impresiones de prueba, idénticas a la edición. Las que han sido producidas por el artista se marcan como AP (prueba del artista) y las que han sido producidas por el impresor o editor se marcan como PP (prueba del imporesor). Puede que también se realicen un número de pruebas de trabajo. \'Bon à tirer\' (apto para impresión) proporciona un estándar para guiar al impresor.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601430860136451, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'edition', 'Company' => 'Tate', 'Definition' => 'A series of identical impressions from the same printing surface. Since the late nineteenth century the number of prints produced has usually been restricted and declared as a \'limited edition\'; before this prints were often produced in as many numbers as the process would allow. Modern artists\' prints are usually limited to a specified number, anything between 2 and 1,000 or more. Sometimes the quantity is dictated by the process—the plate wears out—but more commonly it is restricted by the artist or publisher, in which case the printing surface is usually destroyed. Editioned prints are usually signed, numbered, and often dated by the artist. An edition of twenty-five will be numbered 1/25, 2/25, etc. These are usually accompanied by a number of proof prints, identical to the edition; those produced for artist are marked \'AP\' (artist\'s proof), those for the printer or publisher \'PP\' (printer\'s proof). A number of working proofs may also be made. \'Bon à tirer\' (good to print) proofs provide a standard to guide the printer.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'edition_₄', )

(object) array( 'id' => '8522469', 'url' => 'ES/abstract_right', 'image' => '', 'title' => 'Derecho abstracto', 'tags' => array ( 0 => 'Derecho abstracto', 1 => 'Philosophy', 2 => 'Western philosophy', 3 => '', ), 'term' => 'Derecho abstracto', 'source_id' => 1875502, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Philosophy', ), 'category' => array ( 0 => 'Western philosophy', ), 'lastedit' => '20141202033802', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es el primer capítulo de la Filosofía del Derecho de Hegel, que defiende que el derecho abstracto en la única voluntad inherente de un sujeto que hace frente al mundo exterior. Por lo tanto, el imperativo del derecho es "Sé una persona y respeta como persona a los demás". Por lo que tener derechos es parte fundamental de ser una persona. Una cosa, al carecer de voluntad, no tiene derechos frente a la subjetividad de la inteligencia y la voluntad. Según Hegel, la expresión más básica de derecho es el hecho de conceder particularidad de derecho en forma de cosas, por ejemplo, en forma de propiedad y posesión.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503635463032799232, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'abstract right', 'Definition' => 'The first chapter of Hegel\'s Philosophy of Right, it states that abstract right is the inherently single will of a subject confronting an external world. Hence the imperative of right is “be a person and respect others as persons.” So having rights is at the very root of being a person; a thing, as something devoid of will, has no rights against the subjectivity of intelligence and volition The most fundamental expression of right, according to Hegel, is the giving of particularity to right in the form of a thing, i.e. in the form of property and possession.', 'Part of Speech' => 'noun', 'Usage Status' => 'New', 'Industry' => 'Philosophy', 'Product Category' => 'Western philosophy', 'Creation User' => 'Nemertean', 'Creation Date' => '2012/1/14', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'abstract_right', )

(object) array( 'id' => '909654', 'url' => 'ES/acrylic_paint_₂', 'image' => '', 'title' => 'Pintura acrílica', 'tags' => array ( 0 => 'Pintura acrílica', 1 => 'Art history', 2 => 'General art history', 3 => 'Tate', 4 => '', ), 'term' => 'Pintura acrílica', 'source_id' => 771033, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Art history', ), 'category' => array ( 0 => 'General art history', ), 'company' => array ( 0 => 'Tate', ), 'lastedit' => '20140924052151', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es una dispersión de pigmentos en una resina sintética que se obtiene de acrilatos y metacrilatos. La pintura acrílica se seca cuando el vehículo líquido se evapora y las cadenas del polímero resultantes se deforman y se unen para formar la película de pintura. Al contrario de la creencia general de que la pintura acrílica se seca muy rápido, las aplicaciones gruesas pueden tardar meses o incluso años en secarse completamente. Las primeras obras artísticas con pintura acríclica se realizaron en la década de 1950, utilizando poliresina (Metacrilato de n-butilo) disuelta en disolventes (aguarrás o trementina) con pigmentos y otros componentes secundarios. El siguiente tipo, desarrollado en la década de 1960, fue la pintura de emulsión acrílica que sigue siendo tan popular hoy en día. Esta se diluye (y los pinceles se limpian) en agua. Sin embargo, una vez seca, la película de pintura es resistente al agua.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503601431633985537, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'acrylic paint', 'Company' => 'Tate', 'Definition' => 'A dispersion of pigments in a synthetic acrylic resin produced from acrylates and/or methacrylates. Acrylic paint dries as the liquid vehicle evaporates, and the resulting polymer-chains then deform and coalesce to form the paint film. While acrylic paints are generally thought to be very fast drying, thick applications may take months or even years to fully dry. Artist acrylic paints were first made in the 1950s using poly (n butyl methacrylate) resin dissolved in solvent (mineral spirits or turpentine) with pigments and other minor components. The next type developed in the 1960s was the acrylic emulsion paint that remains so popular today. These are thinned (and brushes cleaned) using water; however, once dry, the paint films are water-resistant.', 'Domain' => 'Documentation', 'Industry' => 'Art history', 'Part of Speech' => 'noun', 'Product Category' => 'General art history', 'Usage Status' => 'New', 'Creation User' => 'genart', 'Creation Date' => '2011/2/20', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'acrylic_paint_₂', )

(object) array( 'id' => '8854281', 'url' => 'ES/calque_₁', 'image' => '', 'title' => 'Calco', 'tags' => array ( 0 => 'Calco', 1 => 'Language', 2 => 'Translation', 3 => '', ), 'term' => 'Calco', 'source_id' => 5095964, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Translation', ), 'lastedit' => '20150115055803', 'part_of_speech' => 'noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'Es la utilización de un elemento propio de una lengua para formar una palabra o expresión tomada de otra lengua.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636915597869058, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Definition' => 'Use of a native element to model a word or expression taken from a foreign language.', 'Part of Speech' => 'noun', 'Industry' => 'Language', 'Product Category' => 'Translation', 'Creation User' => 'MaryK', 'Creation Date' => '2013/3/16', 'Term' => 'calque', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'calque_₁', )

(object) array( 'id' => '8206026', 'url' => 'ES/Chuvash', 'image' => '', 'title' => 'Chuvasio', 'tags' => array ( 0 => 'Chuvasio', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Chuvasio', 'source_id' => 1859175, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20141017064502', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'El chuvasio es una lengua túrquica que se habla en el centro de Rusia, principalmente en la Republica de Chuvasia y las zonas adyacentes. Es la única lengua perteneciente a la rama Oghur de las lenguas túrquicas que todavía se habla. El sistema de escritura del chuvasio se basa ampliamente en el alfabeto cirílico, empleando todas las letras del mismo, además de cuatro letras propias del chuvasio: Ӑ, Ӗ, Ҫ y Ӳ.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503634044434251778, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Chuvash', 'Definition' => 'Chuvash is a Turkic language spoken in central Russia, primarily in the Chuvash Republic and adjacent areas. It is the only surviving member of the Oghur branch of Turkic languages. The writing system for the Chuvash language is based largely on the Cyrillic script, employing all of the letters used in the Russian alphabet, and adding four letters of its own: Ӑ, Ӗ, Ҫ and Ӳ.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/3', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Chuvash', )

(object) array( 'id' => '8856144', 'url' => 'ES/Mossi', 'image' => '', 'title' => 'Mossi', 'tags' => array ( 0 => 'Mossi', 1 => 'Language', 2 => 'Endangered languages', 3 => '', ), 'term' => 'Mossi', 'source_id' => 1860573, 'type' => 'term', 'namespace' => 1196, 'nstext' => 'ES', 'industry' => array ( 0 => 'Language', ), 'category' => array ( 0 => 'Endangered languages', ), 'lastedit' => '20150119030708', 'part_of_speech' => 'proper noun', 'creation_user' => 'beatrizmb', 'special_term' => '', 'definition' => 'La lengua mossi, mòoré (también mooré, moré, moshi, moore o more) es una de las dos lenguas oficiales regionales de Burkina Faso. Está estrechamente relacionada con el dagbani hablado en el norte de Ghana y son inteligibles entre sí. Es el idioma del pueblo Mossi y lo hablan 5 millones de personas en Burkina Faso y más de 60 000 en Mali y Togo.', 'usage_comment' => '', 'glossary' => '', 'width' => 0, 'height' => 0, '_version_' => 1503636925261545473, 'nstext_full' => 'Spanish (ES)', 's_attr' => (object) array( 'Term' => 'Mossi', 'Definition' => 'The Mossi language, Mòoré (also Mooré, Moré, Moshi, Moore or More) is one of two official regional languages of Burkina Faso, closely related and mutually intelligible with the Dagbani language spoken in northern Ghana. It is the language of the Mossi people, spoken by approximately 5 million people in Burkina, plus another 60,000+ in Mali and Togo.', 'Part of Speech' => 'proper noun', 'Usage Status' => 'New', 'Industry' => 'Language', 'Product Category' => 'Endangered languages', 'Creation User' => 'esb', 'Creation Date' => '2012/1/4', 'Source Lang' => '1180', ), 's_namespace_text' => 'EN', 's_namespace_text_full' => 'English (EN)', 's_title' => 'Mossi', )